The Man with No Name Trilogy (A Fistful of Dollars / For a Few Dollars More / The Good, The Bad, and the Ugly) [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Box set; Color; Dolby; DTS Surround Sound; Dubbed; Full Screen; Restored; Subtitled; Widescree

Sergio Leone “spaghetti westerns” did not simply add a new chapter to the genre…they reinvented it. From his shockingly violent and stylized breakthrough, A Fistful of Dollars, to the film Quentin Tarantino calls “the best-directed movie of all time,” The Good, the Bad and the Ugly, Leone’s vision did for westerns what talkies did for all movies back in the 1920s: it elevated them to an entirely new art form. Fully restored, presented in high definition with their best-ever audio, and including audio commentaries, featurettes and more, these films are much more than the definitive Leone collection...they are the most ambitious and influential westerns ever made.

A Fistfull Of Dollars
Clint Eastwood’s legendary “M! an With No Name” makes his powerful debut in this thrilling, action-packed classic in which he manipulates two rival bands of smugglers and sets in motion a plan to destroy both in a series of brilliantly orchestrated setups, showdowns and deadly confrontations.

For A Few Dollars More
Oscar® Winner Clint Eastwood** continues his trademark role in this second installment of the trilogy, this time squaring off with Indio, the territory’s most treacherous bandit. But his ruthless rival, Colonel Mortimer (Lee Van Cleef, High Noon), is determined to bring Indio in first...dead or alive!

The Good, The Bad And The Ugly
The invincible “Man With No Name” (Eastwood) aligns himself with two gunslingers (Lee Van Cleef and Eli Wallach) to pursue a fortune in stolen gold. But teamwork doesn’t come naturally to such strong-willed outlaws, and they soon discover that their greatest challenge may be to stay focused â€" and stay alive â€" in a! country ravaged by war.Review for A Fistful of Do! llars:
A Fistful of Dollars launched the spaghetti Western and catapulted Clint Eastwood to stardom. Based on Akira Kurosawa's 1961 samurai picture Yojimbo, it scored a resounding success (in Italy in 1964 and the U.S. in 1967), as did its sequels, For a Few Dollars More and The Good, the Bad and the Ugly. The advertising campaign promoted Eastwood's character--laconic, amoral, dangerous--as the Man with No Name (though in the film he's clearly referred to as Joe), and audiences loved the movie's refreshing new take on the Western genre. Gone are the pieties about making the streets safe for women and children. Instead it's every man for himself. Striking, too, was a new emphasis on violence, with stylized, almost balletic gunfights and baroque touches such as Eastwood's armored breastplate. The Dollars films had a marked influence on the Hollywood Western--for example, Sam Peckinpah's The Wild Bunch--but their most enduring legacy is Clint Eastwood himse! lf. --Edward Buscombe

Review for The Good, the Bad, and the Ugly:
If you think of A Fistful of Dollars and For a Few Dollars More as the tasty appetizers in Sergio Leone's celebrated "Dollars" trilogy of Italian "Spaghetti" Westerns, then The Good, the Bad, and the Ugly is a lavish full-course feast. Readily identified by the popular themes of its innovative score by Ennio Morricone (one of the bestselling soundtracks of all time), this cinematic milestone eclipsed its influential predecessors with a $1.2 million budget (considered extravagant in the mid-1960s), greater production values to accommodate Leone's epic vision of greed and betrayal, and a three-hour running time for its wide-ranging plot about the titular trio of mercenaries ("Good" Blondie played by rising star Clint Eastwood, "Bad" Angel Eyes played by Lee Van Cleef, and "Ugly" Tuco played by Eli Wallach) in a ruthless Civil War-era! quest for $200,000 worth of buried Confederate gold. Virtuall! y all of Leone's stylistic attributes can be found here in full fruition, from the constant inclusion of Roman Catholic iconography to a climactic circular shoot-out, along with Leone's trademark use of surreal landscapes, brilliant widescreen compositions and extreme close-ups of actors so intimate that they burn into the viewer's memory. And while some Leone fans may favor the more scaled-down action of For a Few Dollars More or the masterful grandiosity of Once Upon a Time in the West, it was The Good, the Bad, and the Ugly that cemented Leone's reputation as a world-class director with a singular vision. --Jeff Shannon

Cradle Will Rock

• As labor strikes break out throughout the country during the 1930s, the art and theater world of New York City is a growing cultural revolution. Nelson Rockefeller (John Cusack) commissions Mexican artist Diego Rivera (Ruben Blades) to paint the lobby of Rockefeller Center, while Italian propagandist Margherita Sarfatti (Susan Sarandon) gives Da Vincis to millionaires who help fund the Mussolini w

Powerful and sweeping, the critically acclaimed CRADLE WILL ROCK, starring Hank Azaria, Joan Cusack, John Cusack, Bill Murray, and Susan Sarandon, takes a kaleidoscopic look at the extraordinary events of 1930s America. From high society to life on the streets, director Tim Robbins (DEAD MAN WALKING) brings Depression-era New York City to vivid life. It's a time when DaVincis are given to millionaires who help fund the Mussolini war effort and Nelson Rockefeller commissions Mexican artist Diego Rive! ra to paint the lobby of Rockefeller Center. A time when a young Orson Welles and a troupe of passionate actors risk everything to perform the infamous musical "The Cradle Will Rock." As threats to their freedom and livelihood loom larger, they refuse to give into censorship. Based on actual events, CRADLE WILL ROCK will move you."Based on a (mostly) true story," according to the opening titles, Tim Robbins's dazzling dramatization of one of the great stories in American theater indeed takes a few liberties with history. Ostensibly the story of the mayhem surrounding Marc Blitzstein's worker's opera The Cradle Will Rock, directed by Orson Welles for the WPA at the height of the Depression, Robbins paints a veritable mural around this incident, a city alive with plotting industrialists (John Cusack as Nelson Rockefeller), radical artists (Ruben Blades's Diego Rivera), and struggling citizens (Bill Murray's frustrated vaudeville ventriloquist Tommy Crickshaw). Lightnin! g strikes when the government closes the show before it even o! pens and the cast marches 20 blocks to an empty theater and tosses the staging aside to perform in the aisles, the balconies, and the seats. It's a rare moment of cinema capturing the immediacy and charge of live theater on the screen and it's the heart of Robbins's often exhilarating film. His heroes are Blitzstein (a warm, gently impassioned Hank Azaria) and cheery WPA Theater director Hallie Flanagan (Broadway star Cherry Jones), but in the process he snidely turns Welles and producer John Houseman into sour, silly caricatures. The stew of artistic creation and political action gets murky and at times contradictory, but vivid performances and Robbins' driving pace and staccato crosscutting keep it humming through even the most didactic moments. The songs are by Blitzstein, and the character-rich cast also features Vanessa Redgrave, Susan Sarandon, John Turturro, Emily Watson, and Philip Baker Hall. --Sean Axmaker

Hamlet 2

• Condition: New
• Format: DVD
• AC-3; Color; Dolby; Dubbed; DVD; Subtitled; Widescreen; NTSC

HAMLET 2 - DVD MovieJust when it seems as if things can't get any worse for high-school drama teacher Dana Marschz (Steve Coogan), he quips, "My life is a parody of a tragedy." Yet that very ability to laugh in the face of defeat will allow this failed actor to triumph over adversity. A lovably ridiculous dreamer like Waiting for Guffman’s Corky St. Clair, Marschz lives in Tucson with his sarcastic wife (Catherine Keener) and their silent boarder (David Arquette). Though he tries to inspire, like Richard Dreyfuss in Mr. Holland's Opus, only two students (Spring Awakening’s Skylar Astin and Phoebe Strole) share his passion for theatrics. When the principal decides to eliminate his department, Marschz makes a bold move: he writes an original play, lets the class! contribute their own unique talents, and puts the whole thing on as a fundraiser (they'll need to bring in $6,000). Sure, everyone dies at the end of Shakespeare's classic, but in Marschz’s musical sequel, Hamlet 2, a time machine allows the Danish prince to turn back the clock to set things right. Just as his production starts to take shape and retired actress Elisabeth Shue (played by Shue) offers her support, his marriage hits the rocks, he starts drinking again, and the community protests against numbers like "Rock Me Sexy Jesus." (Amy Poehler portrays his ACLU attorney.) Though Andrew Fleming’s comedy follows the usual inspirational instructor trajectory, ribald humor helps the medicine go down and Coogan gives his most unhinged performance since Tristram Shandy. --Kathleen C. Fennessy


Stills from Hamlet 2 (Click for larger image)

Panasonic VIERA TC-P46ST30 46-Inch 1080p 600 Hz 3D Plasma HDTV

• Full HD 3D
• Infinite Black 2 Panel
• VIERA Connect Wi-Fi Ready
• VIERA Image Viewer H.264 with 3D Playback
• Energy Star Qualified

What if the person you desired most was the one person you were forbidden to love? OscarÂ(r) winner* Tim Robbins and OscarÂ(r) nominee** Samantha Morton "make a sexy and moving pair of desperadoes" (Entertainment Weekly) in this "provocative, quietly erotic" (Premiere)sci-fi thriller from the director of 24 Hour Party People. In the near future, privileged classes live and work "inside" cities, while non-citizens scratch out a miserable existence "outside" in a vast desert. People cannot leave their designated zones without special visas known as"papeles." When fraudulent papeles surface, Seattle investigator William Geld (Robbins) travels to Shanghai to ferret out the culprit and meets Maria Gonzalez (Morton) a woman with whom he has a! passionate affair but breaks one of society's harshest laws: Code 46. *2003: Supporting Actor, Mystic River **2003: Actress, In America; 1999: Supporting Actress, Sweet and LowdownLike Gattaca did before it, Code 46 extrapolates from the present to posit a chilling, dystopian look at our genetically regimented future. In the corporate-controlled, near-future scenario presented by prolific director Michael Winterbottom and his regular screenwriter Frank Cottrell Boyce, nations and languages have merged to form a polyglot society in which genetic imperfections are avoided by the strict enforcement of Code 46, which prohibits sex between people who share 100%, 50%, or even 25% matching DNA. As an insurance-fraud investigator in Shanghai to investigate the issuance of forged passports (a major offense in an overcrowded world), Tim Robbins meets his prime suspect (Samantha Morton, echoing her role in Minority Report), and their violation of Code 46 has tr! agic and ultimately dehumanizing repercussions. Fascinating as! a "what -if" scenario, Winterbottom's film is more successful as a melancholy mood-piece than a science-fiction tale. While the plot and characters suffer from occasionally vague definition, Code 46 offers a fascinating study of human longing in an age of oppressive globalization. --Jeff ShannonEthan Hawke, Uma Thurman, Alan Arkin and Jude Law star in this engrossing sci-fi thriller about an all-too-human man who dares to defy a system obsessed with genetic perfection. Hawke stars as Vincent, an "In-Valid" who assumes the identity of a member of the genetic elite to pursue his goal of traveling into space with the Gattaca Aerospace Corporation. However, a week before his mission, a murder marks Vincent as a suspect. With a relentless investigator in pursuit and the colleague he has fallen in love with beginning to suspect his deception, Vincent's dreams steadily unravel.Confidently conceived and brilliantly executed, Gattaca had a somewhat low profile release in! 1997, but audiences and critics hailed the film's originality. It's since been recognized as one of the most intelligent science fiction films of the 1990s. Writer-director Andrew Niccol, the talented New Zealander who also wrote the acclaimed Jim Carrey vehicle The Truman Show, depicts a near-future society in which one's personal and professional destiny is determined by one's genes. In this society, "Valids" (genetically engineered) qualify for positions at prestigious corporations, such as Gattaca, which grooms its most qualified employees for space exploration. "In-Valids" (naturally born), such as the film's protagonist, Vincent (Ethan Hawke), are deemed genetically flawed and subsequently fated to low-level occupations in a genetically caste society. With the help of a disabled "Valid" (Jude Law), Vincent subverts his society's social and biological barriers to pursue his dream of space travel; any random mistake--and an ongoing murder investigation at Gattac! a--could reveal his plot. Part thriller, part futuristic drama! and cau tionary tale, Gattaca establishes its social structure so convincingly that the entire scenario is chillingly believable. With Uma Thurman as the woman who loves Vincent and identifies with his struggle, Gattaca is both stylish and smart, while Jude Law's performance lends the film a note of tragic and heartfelt humanity. --Jeff ShannonConfidently conceived and brilliantly executed, Gattaca had a somewhat low profile release in 1997, but audiences and critics hailed the film's originality. It's since been recognized as one of the most intelligent science fiction films of the 1990s. Writer-director Andrew Niccol, the talented New Zealander who also wrote the acclaimed Jim Carrey vehicle The Truman Show, depicts a near-future society in which one's personal and professional destiny is determined by one's genes. In this society, "Valids" (genetically engineered) qualify for positions at prestigious corporations, such as Gattaca, which grooms i! ts most qualified employees for space exploration. "In-Valids" (naturally born), such as the film's protagonist, Vincent (Ethan Hawke), are deemed genetically flawed and subsequently fated to low-level occupations in a genetically caste society. With the help of a disabled "Valid" (Jude Law), Vincent subverts his society's social and biological barriers to pursue his dream of space travel; any random mistake--and an ongoing murder investigation at Gattaca--could reveal his plot. Part thriller, part futuristic drama and cautionary tale, Gattaca establishes its social structure so convincingly that the entire scenario is chillingly believable. With Uma Thurman as the woman who loves Vincent and identifies with his struggle, Gattaca is both stylish and smart, while Jude Law's performance lends the film a note of tragic and heartfelt humanity. --Jeff Shannon

Nominated for a 2004 European Film Award, the Free Association's (David Holmes and Steve Hilton! ) music to CODE 46 features an atmospheric and contemplati! ve score . Influenced dually by techno and film music, David Holmes and Steve Hilton are known for soundtracks that translate the emotional power of their films. Holmes and Hilton have released a number of critically acclaimed albums, and their film credits include OUT OF SIGHT, ANALYZE THAT, OCEAN'S ELEVEN and OCEAN'S TWELVE.

Starring Academy Award® winner Tim Robbins and Academy Award® nominee Samantha Morton, Michael Winterbottom's (24 HOUR PARTY PEOPLE, WELCOME TO SARAJEVO, THE CLAIM, 9 SONGS) dystopian thriller CODE 46 is a sci-fi noir set in the near future, revolving around two people struggling to find solace in a world of disorder. CODE 46 was nominated for a Golden Lion at the Venice Film Festival, Golden Satellite Award, British Independent Film Award, and four European Film Awards. The United Artists release hit theaters August 2004, and is now available on DVD.What if the person you desired most was the one person you were forbidden to love? Osc! arÂ(r) winner* Tim Robbins and OscarÂ(r) nominee** Samantha Morton "make a sexy and moving pair of desperadoes" (Entertainment Weekly) in this "provocative, quietly erotic" (Premiere)sci-fi thriller from the director of 24 Hour Party People. In the near future, privileged classes live and work "inside" cities, while non-citizens scratch out a miserable existence "outside" in a vast desert. People cannot leave their designated zones without special visas known as"papeles." When fraudulent papeles surface, Seattle investigator William Geld (Robbins) travels to Shanghai to ferret out the culprit and meets Maria Gonzalez (Morton) a woman with whom he has a passionate affair but breaks one of society's harshest laws: Code 46. *2003: Supporting Actor, Mystic River **2003: Actress, In America; 1999: Supporting Actress, Sweet and LowdownLike Gattaca did before it, Code 46 extrapolates from the present to posit a chilling, dystopian look at our genetically regimen! ted future. In the corporate-controlled, near-future scenario ! presente d by prolific director Michael Winterbottom and his regular screenwriter Frank Cottrell Boyce, nations and languages have merged to form a polyglot society in which genetic imperfections are avoided by the strict enforcement of Code 46, which prohibits sex between people who share 100%, 50%, or even 25% matching DNA. As an insurance-fraud investigator in Shanghai to investigate the issuance of forged passports (a major offense in an overcrowded world), Tim Robbins meets his prime suspect (Samantha Morton, echoing her role in Minority Report), and their violation of Code 46 has tragic and ultimately dehumanizing repercussions. Fascinating as a "what-if" scenario, Winterbottom's film is more successful as a melancholy mood-piece than a science-fiction tale. While the plot and characters suffer from occasionally vague definition, Code 46 offers a fascinating study of human longing in an age of oppressive globalization. --Jeff ShannonCode 46 is a love story ! set in a Brave New World-type near-future where cities are heavily controlled and only accessible through checkpoints. People cannot travel unless they have "papelles," a special travel permit issued by the totalitarianistic government, the "Sphinx". Outside these cities, the desert has taken over and shanty towns are jammed with non-citizens - people without papelles forced to live primitive lives. William is a family man who works as a government investigator. When he is sent to Shanghai to solve a case of fake papelles, he meets a woman named Maria. Although he realizes she is behind the forgeries, he cannot help but fall completely in love with her. He hides her crime and they have a wild, passionate affair that can only last as long as his papelles: 24 hours. Back home, William is obessed with the memory of Maria. When the original investigation is inevitably re-opened a week later and William is sent back to finish the work he started...In the brutal World War II Batt! le of Saipan, Sergeant Joe Enders (Academy AwardÂ(r) winner*N! icolas C age) guardsand ultimately befriendsBen Yahzee (Adam Beach), a young Navajo trained in the one wartime code never broken by the enemy, the Navajo Code. But if Yahzee should fall into Japanese hands, how far will Enders go to save the military's most powerful secret? John Woodirects this "exciting" (Premiere),Having earned Hollywood's respect with blockbusters like Face/Off and Mission: Impossible 2, Hong Kong action master John Woo lends his signature style to serious World War II action in Windtalkers. Recognizing the long-forgotten contribution of Navajo "code talkers," whose use of an unbreakable Navajo-language radio code was instrumental in defeating the Japanese, the film serves as an admirable tribute to those Native American heroes. Unfortunately, it falls short of importance with its standard-issue story about a battle-scarred sergeant (Nicolas Cage) assigned to protect a code-talker (Adam Beach, from Smoke Signals), with unspoken orders! to kill him if Japanese capture is imminent. This allows for an involving drama of hard-won friendship, but cardboard supporting characters suffer in the shadow of nonstop action that's as repetitious as it is technically impressive. Windtalkers is best appreciated as a more substantial vehicle for Woo's trademark ballet of bullets. --Jeff ShannonPanasonic VIERA TC-P46ST30 46-Inch 1080p 3D Plasma HDTV

3D Technology Checklist

This product is 3D-related. To help you get a great 3D experience, use the checklist below to ensure you have everything you need. 3D viewing requires:

	A Display First, you'll need a 3D-ready display--whether it's a 3D HDTV, 3D projector, or 3D co! mputer monitor. These displays have more processing power than! standar d 2D models for displaying 3D images in rapid succession.
	A Source Your display may be ready for 3D playback, but you'll still need a device to read 3D content. This can be a cable box with a subscription to a 3D channel, a 3D Blu-ray Disc player, or a PlayStation 3 system.
	3D Content 3D content--the actual entertainment, in other words--will be played back using the source mentioned above, whether it's a 3D broadcast from your cable provider, a 3D Blu-ray Disc, or a 3D video game.
	3D Glasses For now, the vast majority of 3D HDTVs require glasses for 3D viewing. Many use powered "active shutter" glasses, others polarized "passive" glasses. You'll need one pair per viewer, and they'll have to be compatible with your display, whether they're the same brand, or a pair of "universal" glasses designed to work across brands.
	HDMI Cable To connect your source (such as a 3D Blu-ray Disc player) to your display, you'll need a high-speed HDMI cable. Cables with this designation feature bandwidth speeds up to 10.2 Gbps (gigabits per second), for ca! rrying the 3D signal without any loss of quality.
If you want to get more information about 3D, shop our 3D products, watch videos, or interact with other customers, we invite you to visit 3D 101, our customer center about everything 3D.

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Internet-Ready Television

Internet-ready TVs use your broadband connection to deliver dynamic content, whether it's streaming video from Netflix, new music from Pandora, or a quick glance at today's weather forecast.

Although there is overlap, each manufacturer offers a unique bundle of free or paid services, including streaming video and music, social networking apps, online photo galleries, news and financial updates, weather info, sports sco! res, and a variety of other smartphone-like applications.

Manufacturers continue to add new content to their offerings, keeping customers current through firmware updates, and making a bit of research a prudent step in your buying decision.

Learn more about Internet TVs, how they work, what services are offered by different manufacturers, and exactly what you'll need to get started at our Internet TV 101 customer center.

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(March 2011)

Step into the 3D World. The VIERA ST30 Series Full HD 3D Plasmas create an all new viewing experience by putting you inside the action and creating a new world of TV viewing realism.

Infinite Black 2

In ! new VIERA models, contrast in brightly lit locations has been ! signific antly improved. Enhancements to the panel and cells help reproduce images with smooth, natural gradation and deep, rich blacks even when viewed in bright surroundings. In movies, the true, deep blacks faithfully convey the intent of the filmmakers, adding power and realism to the viewing experience.

Full-time 1080 Moving Picture Resolution

VIERA plasma TVs have 1,080 lines of moving-picture resolution. Newly developed phosphors with minimal afterimages and a new motion compensating technology have made it possible to render faster-moving images with greater sharpness. This far surpasses the APDC moving-picture resolution measurement standard of 5 seconds by providing a moving-picture resolution of 1,080 lines at the 1.5-second level. And it shows the inherently clear motion of VIERA TVs in both 2D and 3D images.

3D 24p Cinema Smoother

VIERA incorporates technology that analyzes picture information in both the preceding and succeeding frames, a! nd creates a precise supplementary frame between them. This suppresses the jerky effect seen in movies so playback is smooth and natural-looking. The distinctive tonal qualities and atmosphere of the movie are preserved and you enjoy extremely lifelike 3D images.

Frame Sequential Technology

Panasonic uses Full-HD Frame Sequential technology to create its 3D images. Images recorded in 1920 x 1080 pixels for both the right-eye and the left-eye alternately flash on the screen at the ultra-high rate of 120 frames per second. When you view th! e screen through active-shutter glasses that open and close ea! ch lens in sync with the alternating images, you see breathtaking FULL HD 3D pictures with stunning power and realism.

Dynamic Contrast

By combining the highly light-transmissive IPS Alpha Panel and high-brightness backlight, Panasonic has attained both high contrast and low power consumption. Also, by detecting the contrasting parts of the scene, the backlight is adjusted to maintain a brightness that is optimal for each area. Deep blacks are reproduced with no fading. The contrast between the brilliance of diamond-like stars and the deep black of the night sky produces a sharp, crisp image.

600Hz Sub-field Drive

600Hz technology lets you view superb full-HD motion and still images. For even greater clarity with motion images, Panasonic uses its own unique image-analysis technology. This technology converts the motion in each scene into dots. And each frame is practically displayed for a shorter length of time than in previous system! s, to reduce aftereffects.

3D Image Viewer

It's easy to view 3D photos and movies you shot yourself on the big VIERA screen. After shooting with your 3D-compatible camera or camcorder, simply insert the SD card into the slot on a 3D-compatible VIERA TV. The viewing is incredible, with images so realistic it feels as though you're right back in the moment. You'll find that life's special moments are even more memorable when you preserve them in 3D.

VIERA Connect

The exciting world of IPTV, centering on TV, is about to begin for the enjoyment of the entire family. Now you can enjoy intuitive remote control while relaxing on the living room sofa, with a wide variety of content at your fingertips. In the near future! , TV will also be able to link with a tablet device to achieve! complet ely new forms of entertainment that you've never before experienced.

VIERA Link

VIERA Link interlinks the operation of a variety of AV devices, so you can operate them all using only the VIERA remote control. Setup is easy simply connect the compatible devices to each other via HDMI cables.

VIERA Remote

VIERA remote is a TV remote controller app for select Panasonic VIERA HDTVs that uses your iPhone/iPod touch/iPad (of iOS 4.2 or later) to control TV channel selection, input selection, and volume control. Included features are gesture control, a keyboard user Interface, and a power off button. Learn more about Panasonic’s VIERA remote app.

Long Panel Life, Up to 100,000 Hours

One important way consumers can protect the environment is by choosing high-quality products and taking care of them so they last for a long time. A high-quality VIERA HDTV can help. Thanks to a newly designed phosphor process an! d rear panel process, our plasma panels last for up to 100,000 hours before the brightness decreases by half. That's more than 30 years of viewing 8 hours a day.

Environment-Friendly Panel

Mercury and Lead Free Plasma Display Panel Panasonic is committed to making our products more friendly to the environment. In line with this commitment, all VIERA plasma display panels are free of both lead and mercury. This reduces impact on the environment years down the road when the TV is recycled or retired from use.

Key Specifications

Series: ST30 Screen type: Plasma Screen size: 46 inches Native resolution: 1,920 x 1080 pixels Shades of Gradation: 6,144 equivalent 600 Hz Sub-field Drive: Yes HDTV display capability: 1080p, 1080i,! 720p EDTV display capability: 480p Speakers: 2 full range, 20W total power, Surround Sound Capable Image viewer: Yes (AVCHD/MPEG2/JPEG/MP3 playback) Aspect control:4:3, Zoom, Full, Just, H-Fill Optional wall-mounting bracket: TY-WK4P1RW Multi-lingual menu: English/Spanish/French Energy Star qualified: Yes

Connections HDMI: 3 (1 side) Component (Y, PB, PR): RCA x 1 Composite A/V: RCA x 1 USB: 2 Wireless LAN Adaptor: WiFi Ready Digital audio output: 1 (optical) Dimensions TV with stand: 28.8" X 44.0" X 13.2" " (H x W x D); 59.6 pounds TV without stand: 27.4" X 44.0" X 2.8" (H x W x D); 50.7 pounds What size TV should you get? !

Panasonic 2011 Plasma HDTV Comparison

!

Series:	GT30	ST30	S30	X3
Models:	50", 55", 60", 65"	42", 46", 50", 55", 60", 65"	42", 46", 50", 60"	42", 46", 50"
Full HD 1080p				--
HD 720p	--	--	--
3D Ready			--	--
Motion Picture Resolution	1080 Lines	1080 Lines	900 Lines	! 720 Lines
THX Mode		--	--	--
VIERA Connect			--	--
EASY IPTV	--	--
DLNA			--	--
Wireless LAN	Ready	Ready	Ready	Ready
Ethernet
HDMI	4	3	2	2
Component (Y/Pb/Pr)	1	1	1	1
Composite A/V	1	1	1	1
Digital Audio Output	Optical	Optical	Optical	Optical
PC (! DSub)	1	--	--	--
USB 2.0 Port	3	2	2	2
MP3 Playback
JPEG Playback
MPEG Video Playback

What's in the B! ox

Panasonic ST30 series Plasma HDTV, removable stand, wireless LAN adapter, remote control (with batteries), operating instructions, quick start guide