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Jayne (Parker Posey) and Laura (Demi Moore) are about to take on the first man they just might not be able to handle: their father Joe (Rip Torn). Dutiful daughters returning to the house they grew up in, Jayne and Laura are forced to take a closer look at their own not-so-perfect lives. Laura suspects that Joe needs full-time care, but Jayne refuses to believe that their father’s condition is seri! ous. Jayne’s compulsion to escape reality only increases Laura’s attempts to yank her back down to earth. Meanwhile, Joe still sings and plays the blues on his prized guitar, and the lively widower even has a new “ladyfriend,” shameless and sassy Shelly (Ellen Barkin). Tensions flare as Joe’s senility increases and the close sisters must also juggle their own very different lives â€" but their adventures back home are not without merriment, mischief and even a little childhood magic.Parker Posey and Demi Moore prove inspired casting as troubled sisters in Happy Tears. Posey (all quirks and neuroses) plays Jayne, the sister who married the wealthy but unstable son of a famous artist and is now enveloped in a bubble of money; Moore (half woman warrior, half earth mother) plays Laura, the sister who isn't rich and who has ended up taking care of their increasingly erratic father, Joe (Rip Torn, Men in Black, The Larry Sanders Show), and who is ma! naging--just barely--not to resent Jayne for the difference in! their l ives. But Joe is slipping into dementia and giving away money to a needy addict named Shelly (Ellen Barkin, Ocean's Thirteen, Sea of Love), so Jayne comes back home to decide with Laura what to do. Happy Tears is a peculiar yet vivid movie; the naturalistic surface of its domestic drama is punctured with odd moments of surrealism, such as when Jayne hallucinates that a boot salesman has turned into a vulture. The plot wanders, the characters are explored unevenly, yet moment to moment Happy Tears holds you by virtue of a surprising honesty. Jayne, Laura, Joe, and Shelly feel--despite a bit of hamminess in the performances--like real people, with jagged edges that can't be ignored or explained away. --Bret Fetzer

Stills from Happy Tears (Click for larger image)
PRINCESS KAIULANI - DVD MoviePrincess Kaiulani is a moving film that's part romantic epic, part historical period piece. But mostly it's a portrait of how a frightened young girl grew into an extraordinary woman. The film begins in 1889, when civil unrest unsea! ted Hawaii's royal family and the Hawaiian people began a stru! ggle to maintain their independence and right of self-governance, and when the 13-year-old princess Ka'iulani (Q'orianka Kilcher), who was next in line for the Hawaiian throne, was exiled to England to ensure her safety. Shot on location in both England and Hawaii by indie director Marc Forby, this breathtakingly beautiful film follows Ka'iulani as she is plopped down in a foreign world that looks upon Hawaiians as barbarians and where her royal heritage counts for virtually nothing. Princess Ka'iulani, or "Victoria," as the English often call her, endures harsh treatment at the hands of both teachers and students at boarding school, but she refuses to crumble, carrying on with a strength and quiet resolve that's powerfully portrayed by Kilcher. As Ka'iulani matures, she falls in love with Englishman Clive Davies (Shaun Evans) and becomes engaged. Just as Ka'iulani's happiness seems assured, her father visits her in England, bringing with him serious news: her uncle, King Kalakaua (! Ocean Kaowili), has died unexpectedly after having been forced to adopt a constitution in conflict with the best interests of the Hawaiian people, and Ka'iulani's aunt Liliu'okalani (Leo Anderson Akana), who ascended to the throne, has subsequently been put under house arrest and removed from power. Incensed by the grave injustices inflicted upon her people, Princess Ka'iulani is propelled by her inherent sense of duty to sacrifice her own potential happiness. She journeys first to America, where she eloquently pleads with outgoing president Grover Cleveland for his help, and later to Hawaii, where she fights for her people's rights in person. Princess Kaiulani is a powerful film, and what comes across so strongly is not just the often-overlooked perspective of the native Hawaiian people regarding America's annexation of Hawaii and the cultural consequences of that annexation, but the truly heroic acts of Hawaii's extraordinary Princess Ka'iulani. --Tami HoriuchiGermany released, Blu-Ray/Region B : it WILL NOT play on re! gular DV D player, or on standard US Blu-Ray player. You need multi-region Blu-Ray player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 5.1 ), German ( Dolby Digital 5.1 ), German ( Subtitles ), WIDESCREEN (1.78:1), SPECIAL FEATURES: Biographies, Filmographies, Interactive Menu, Photo Gallery, Scene Access, Trailer(s), SYNOPSIS: Jayne and Laura are about to take on the first man they just might not be able to handle: their seventy-something-year-old father Joe. Dutiful daughters returning to the house they grew up in, Jayne and Laura are forced to take a closer look at their own not-so-perfect lives while dodging childhood memories. Laura suspects that Joe needs full-time care, but Jayne hopes that their father's condition isn't that serious. Joe is still singing and playing his old guitar, and the lively widower even has a new 'ladyfriend,' shameless and sassy Shelly. But as the visible moments of their father's impending senility increase, so do the dysfunctional fam! ily dynamics. Tensions flare as the close sisters must also juggle their own very different lives - Laura's busy schedule as an environmentalist and mother of two small children, and Jayne, desperate to finally have a baby with her workaholic art-dealing husband Jackson. Their adventures back home are not without magic, mischief and mayhem, and even a search for buried treasure in the backyard! Any tears that Jayne and Laura might shed will be happy ones. SCREENED/AWARDED AT: Berlin International Film Festival, ...Happy TearsThe domestic disciplinary adventures of a family consisting of the beautiful widowed Eleanor Stanfield, her teenage daughter, Arthur Hadley, a handsome widower, and his spoiled, haughty offspring. When Eleanor and Arthur marry, the domineering stepmother sets out for the ultimate training of both girls, enhancing the blissful relationship between the newlyweds. A psychological study of both the erotic and disciplinary effects of corporal punishment. Ill! ustrated.CLASSIC CHASTISEMENT The domestic disciplinary advent! ures of a family consisting of the beautiful widowed Eleanor Stanfield, her teenage daughter, Arthur Hadley, a handsome widower, and his spoiled, haughty offspring. When Eleanor and Arthur marry, the domineering stepmother sets out for the ultimate training of both girls, enhancing the blissful relationship between the newlyweds. A psychological study of both the erotic and disciplinary effects of corporal punishment. Tammy La GorceYour iphone is as attractive and usable while protected from dust and scratches in this plastic clip case accessory. Extremely tough, durable case molds perfectly to your phone's shape while providing easy access to all functions without having to remove the case. This style of case is for back cover only. No front cover available as this is a newest style of iphone case. NOTE: Due to differences in monitors, color may vary from photo. For iPhone 3G / 3G S. Sorry, NOT compatible with iPhone 1st Generation

Black Sheep (Unrated)

• An experiment in genetic engineering turns harmless sheep into blood-thirsty killers that terrorize a sprawling New Zealand farm. Format: DVD MOVIE Genre: HORROR Rating: NR Age: 796019805704 UPC: 796019805704 Manufacturer No: 80570

An experiment in genetic engineering turns harmless sheep into blood-thirsty killers that terrorize a sprawling New Zealand farm.A delirious mix of broad comedy and wall-to-wall splatter, the New Zealand feature Black Sheep makes a convincing case for sheep as the new modern horror icon. These sheep aren't the garden variety grass eaters, however; they're genetically altered sheep who develop a ravenous hunger for human flesh after an experimental fetus is accidentally unleashed on a sprawling ranch by a hapless environmentalist (Kiwi actor and broadcaster Oliver Driver). And to make matters worse, those bitten by the monster sheep transform into monstr! ous "were-sheep" (spectacularly absurd creations by the Weta Workshop). The resulting clash between man and sheep is soaked in gore, of course, but the violence is taken to such outlandish extremes that only the easily nauseated or terminally grumpy will find it offensive. Writer/director Jonathan King's debut feature juggles the gore and the gags (many of which gleefully tread the lowbrow path) with skill thanks to an energetic cast, especially Nathan Meister as the sheep-phobic hero and Danielle Mason as an animal rights crusader who discovers her inner carnivore. The unrated DVD includes commentary by King and Meister, a 30-minute making-of featurette which includes an interview with Richard Taylor of Weta on the film's elaborate creatures, a smattering of deleted scenes, blooper reel, and a half-minute visual joke titled "Early Morning" that was shot especially for the DVD release. -- Paul Gaita

Dark Water (Unrated Widescreen Edition)

• Far more terrifying than what was seen in theaters, this special unrated version of DARK WATER is a thoroughly absorbing, suspense-filled thriller starring Jennifer Connelly. Dahlia Williams (Connelly) and her 5-year-old daughter are ready to begin a new life together. But their new apartment dilapidated and worn suddenly seems to take on a life of its own. Mysterious noises, persistent leaks of d

No one loses their mind instantly â€" Sanity seeps away one drop at a time. Yoshimi simply wanted a better life â€" for both herself and her daughter Ikuko. Unfortunately, such wishes may sometimes be hard to come by. The custody battle has grown embittered and hurtful, her new job is less than desirable, and Ikuko’s schoolwork has taken a turn for the worse. But, Yoshimi has something bigger to worry about. Something upstairs. Something cold and dank. Something that should have never been.Dar! k Water is Japanese horror auteur Hideo Nakata's return to the genre after his Ring cycle made you too scared to watch television ever again. Where Ringu dealt with a supernatural force wreaking revenge via technology, this film is a much more traditional ghost story. After winning a custody battle for her daughter, single mother Yoshimi moves into what she thinks is the perfect apartment with her daughter Hitomi. No sooner have they unpacked than strange things begin to disturb their new life. A water leak from the supposedly abandoned apartment above gets bigger and bigger, a child's satchel reappears even though Yoshimi throws it away several times, and she is haunted by the image of a child wearing a yellow mackintosh who bears a striking resemblance to a young girl who disappeared several years before. The conventional narrative follows Yoshimi's increasingly desperate attempts to discover who or what force is haunting her daughter, but the story's ex! ecution is far from predictable. Nakata is the master of under! stated s uspense: there's always a feeling of motiveless malignancy that runs like an undercurrent through his films--far more frightening than out and out shocks--and here he also practically drowns his audience in water imagery. The film is saturated; the relentless dripping in the apartment, the constant rain outside and the deliberately washed-out photography make any color, such as the yellow coat, seem incongruous and unsettling. Nakata also clears the film of unnecessary characters--this is an almost deserted Tokyo--preferring to concentrate the action on Yoshimi's rising hysteria as she struggles to understand what is happening and how to save her daughter. Granted, the special effects are somewhat unconvincing and the ending confused, but even so the result is a stylish and disquieting chiller that will do for bathtubs what his Ring films did for video recorders. --Kristen BowditchFar more terrifying than what was seen in theaters, this special unrated version ! of DARK WATER is a thoroughly absorbing, suspense-filled thriller starring Jennifer Connelly. Dahlia Williams (Connelly) and her 5-year-old daughter are ready to begin a new life together. But their new apartment â€" dilapidated and worn â€" suddenly seems to take on a life of its own. Mysterious noises, persistent leaks of dark water, and other strange happenings in the deserted apartment above send Dahlia on a haunting and mystifying pursuit â€" one that unleashes a torrent of living nightmares.In many ways Dark Water improves upon the memorable Japanese film it's based on. The earlier version was directed by Hideo Nakata (whose excellent shocker Ringu was remade in America as The Ring), but in the hands of director Walter Salles (The Motorcycle Diaries) and screenwriter Rafael Yglesias, this psychological horror story gets an intelligent and more chillingly effective overhaul. The story is rooted in themes of love and loss that Yglesias simila! rly explored in his excellent screenplay for Peter Weir's F! earless< /i>, here focusing on young mother Dahlia (Jennifer Connelly) as she endures difficult divorce proceedings and settles into a low-rent apartment in New York's cramped Roosevelt Island community, near Manhattan, with her young daughter Cecilia (Ariel Gade). Amidst seemingly endless rainfall, Dahlia's world slowly unravels, and Connelly is superb as a woman seemingly on the verge of a nervous breakdown. Or is she? Could it be that Cecilia's imaginary friend, and the apartment's persistent leaks of dark, dripping water, are the ghostly manifestations of a young girl who had been abandoned by the previous tenant? Creepy atmosphere and high anxiety are expertly maintained by Salles, and supporting roles for Tim Roth, John C. Reilly and especially Pete Postlethwaite give the film an added edge of mystery. The tension builds slowly (gore-mongers and action fans may be disappointed), but the cumulative effect is palpably unnerving, inviting favorable comparison to Rosemary's Baby! . Unlike some other remakes of Japanese horror hits, Dark Water doesn't feel redundant; it stands on its own thanks to the impressive work of everyone involved. --Jeff Shannon

Don't Move

• Timoteo's life takes a dramatic turn when he discovers that his fifteen year old daughter has been seriously injured in a motorcycle accident. As she undergoes emergency surgery, Timoteo casts his mind back to his illicit affair with the passionate Italia. Based on the novel by Margaret Mazzantini. Format: DVD MOVIE Genre: FOREIGN Rating: NR Age: 720917549125 UPC:&nb

Called to the hospital when his fifteen-year-old daughter, Angela, is injured in a potentially fatal accident, a prominent surgeon sits and waits, silently confessing the affair he had the year Angela was born. As Timoteo’s tale begins, he’s driving to the beach house where his beautiful, accomplished wife, Elsa, is waiting. Car trouble forces him to make a detour into a dingy suburb, where he meets Italiaâ€"unattractive, unpolished, working-classâ€"who awakens a part of him he scarcely recognizes. Disenchanted with his ! stable life, he seizes the chance to act without consequences, and their savage first encounter spirals into an inexplicable obsession. Returning again and again to Italia’s dim hovel, he finds himself faced with a choice: a life of passion with Italia, or a life of comfort and predictability with Elsa. As Angela's life hangs in the balance, Timoteo's own life flashes before his eyes, this time seen through the lens of the one time he truly lived.Timoteo's life takes a dramatic turn when he discovers that his fifteen year old daughter has been seriously injured in a motorcycle accident. As she undergoes emergency surgery, Timoteo casts his mind back to his illicit affair with the passionate Italia... Based on the novel by Margaret Mazzantini.

Farce of the Penguins : Widescreen Edition

• Widescreen

It's mating season...

Meet Carl (Bob Saget) and Jimmy (Lewis Black), two cold penguins on a desperate mission to get themselves some hot booty. After years of empty one-night stands, Carl wants more than a piece of penguin tail. He wants the love of the beautiful Melissa (Christina Applegate). Now it's up to Jimmy to help his neurotic friend win her heart and find his dream girl. The only thing that stands in their way is...a seventy-mile trek across Antarctica. It's a road trip like no other, as these two best bros make their way to a penguin island paradise. From director and comedian Bob Saget, comes a raunchy, yet heart-warming comedy like no other.

Get ready for a stiff and dirty ride! May the FARCE be with you...Between Snakes On A Plane and Farce of the Penguins, one really wonders what Samuel Jackson has been smoking. This Jackson-narrated m! ockmentary of March of the Penguins, written and directed by Bob Saget (America's Funniest Home Videos), highlights the penguins' lascivious side, as the male's march inland to find mating partners. Overdubbed with human voices, Farce stars three penguins, Carl (Bob Saget), a neurotic, insecure bird whose search for true love has so far been in vain, Jimmy (Lewis Black), a mobster-like father figure who encourages Carl to keep up hope, and Marcus (Tracy Morgan), a smooth, African American penguin with a self-professed huge penis. Miles away, as the men journey inward, fighting off seals and engaging in therapy sessions with snowy owls along the way, Vicky (Mo'nique) tells Melissa (Christina Applegate) that someday her Prince Charming will come, which, predictably, he does. Watching penguins discussing the meaning of life, questioning their annual masochistic hike through tundra, or wondering if they have eating disorders is funny for about ten minutes. ! Samuel Jackson, the ultimate omniscient narrator, furthering t! he story between scenes is also odd and laughable. But Farce of The Penguins relies on its lewd humor for laughs, and though it is disarming to see waddling birds cuss, Farce's one-liner gets old. Yes, penguins have sex. Farce of the Penguins is a fun idea perhaps taken too far. Nonetheless, there is always something pleasing about anthropomorphizing animals, especially for lovers of crude sex jokes. --Trinie DaltonStudio: Lions Gate Home Ent. Release Date: 02/05/2008 Run time: 80 minutes Rating: RBetween Snakes On A Plane and Farce of the Penguins, one really wonders what Samuel Jackson has been smoking. This Jackson-narrated mockmentary of March of the Penguins, written and directed by Bob Saget (America's Funniest Home Videos), highlights the penguins' lascivious side, as the male's march inland to find mating partners. Overdubbed with human voices, Farce stars three penguins, Carl (Bob Saget), a neurotic, insecure! bird whose search for true love has so far been in vain, Jimmy (Lewis Black), a mobster-like father figure who encourages Carl to keep up hope, and Marcus (Tracy Morgan), a smooth, African American penguin with a self-professed huge penis. Miles away, as the men journey inward, fighting off seals and engaging in therapy sessions with snowy owls along the way, Vicky (Mo'nique) tells Melissa (Christina Applegate) that someday her Prince Charming will come, which, predictably, he does. Watching penguins discussing the meaning of life, questioning their annual masochistic hike through tundra, or wondering if they have eating disorders is funny for about ten minutes. Samuel Jackson, the ultimate omniscient narrator, furthering the story between scenes is also odd and laughable. But Farce of The Penguins relies on its lewd humor for laughs, and though it is disarming to see waddling birds cuss, Farce's one-liner gets old. Yes, penguins have sex. Farce of the Pen! guins is a fun idea perhaps taken too far. Nonetheless, th! ere is a lways something pleasing about anthropomorphizing animals, especially for lovers of crude sex jokes. --Trinie Daltondvd

Geek Charming

• ISBN13: 9780142411223
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

The award-winning, critically acclaimed comedy FILM GEEK is about one movie nerd's quest to get a life. When Scotty Pelk (Melik Malkasian) is fired from his video store job for annoying the customers, he hits rock bottom. But then he meets Niko (Tyler Gannon), a sexy free spirit who just might save Scotty from his hopeless existence. Triumphant and hilarious, FILM GEEK celebrates the geek in all of us.Scotty Pelk, the title character in Film Geek, makes Napoleon Dynamite look like James Bond. Scotty is, um, really into movies, and leads a life of relentless geek-itude in Portland, Ore., in slavish devotion to his obsession. He works, of course, in a video store; mans an untrafficked web site, ww! w.scottysfilmpage.com; and argues with customers about what movies they select. He punctuates his few conversations, or even stone silences, with random comments like "Sam Fuller is so underrated." To no one's surprise, he has no life, and the film's relentless scrutiny of his pretty empty existence borders on the painful. And yet--who among us (especially movie fans) can't relate to being so immersed in a subject that everything else fades away? Happily, though Scotty doesn't know it, life is full of surprises--even his cringe-worthy life. The dialogue and acting, especially by Melik Malkasian, who plays Scotty with deadpan perfection, is winning and real. "[Terrence] Malick's only made three films in 30 years, you know," he perkily tells one bemused customer. "We're all waiting for his next one. I know I am." --A.T. HurleyDylan Shoenfield is the princess of L.A.'s posh Castle Heights High. She has the coolest boyfriend, the most popular friends, and a brand-! new "it" bag that everyone covets. But when she accidentally t! osses he r bag into a fountain, this princess comes face-to-face with her own personal frog: selfprofessed film geek Josh Rosen. In return for rescuing Dylan's bag, Josh convinces Dylan to let him film her for his documentary on high school popularity. Reluctantly, Dylan lets F-list Josh into her A-list world, and is shocked to realize that sometimes nerds can be pretty cool. But when Dylan's so-called prince charming of a boyfriend dumps her flat, her life - and her social status - comes to a crashing halt. Can Dylan - with Josh's help - pull the pieces together to create her own happily-ever-after?

Flawless

• From director Michael Radford (THE MERCHANT OF VENICE, IL POSTINO) comes FLAWLESS, a clever diamond-heist thriller set in swinging 1960s London. Demi Moore plays Laura Quinn, a bright, driven and beautiful executive at the London Diamond Corporation who finds herself frustrated by a glass ceiling after years of faithful employment, as man after man is promoted ahead of her despite her greater expe

A former medical detective for the Centers for Disease Control, Dr. Nate McCormick had seen enough suffering to last a lifetime. Now he’s left the CDC, determined to begin a new life with his girlfriend in San Francisco…until the vicious murder of a biotech researcherâ€"an old friendâ€"hurtles him back into the medical world he’d left behind. While the police hunt for a killer, Nate starts sifting through evidence, determined to find what his friend did to provoke his brutal death. And the tru! th he ultimately discovers far exceeds the very worst he had imagined.

As a circle of treachery tightens around Nate, and the woman he loves is thrust into the line of fire, patients surface with agonizing stories to tell. Nate is about to make the most startling discovery of all: a secret alliance between crime, science, and a billion-dollar industry determined to hide its victims at any price. For Nate, that price will be the one person most important to himâ€"unless he can expose the flaw in a perfect conspiracy of medicine and murder.

From shocking evidence revealed under a microscope to the shattering testimony of those betrayed by the ruthlessness of the medical industry, Flawless takes us on a terrifying, adrenaline-charged journey. Taut, thrilling, and relentless, it will leave you pondering its questions long after the last page is turned.


From the Hardcover edition.From director Michael Radford (THE MERCHANT OF VENICE IL POST! INO) comes FLAWLESS a clever diamond-heist thriller set in swi! nging 19 60s London. Demi Moore plays Laura Quinn a bright driven and beautiful executive at the London Diamond Corporation who finds herself frustrated by a glass ceiling after years of faithful employment as man after man is promoted ahead of her despite her greater experience. Michael Caine is Hobbs the nighttime janitor at London Diamond who is virtually invisible to the executives that work there but over the years has amassed a startling amount of knowledge about how the company runs. Hobbs has his own bone to pick with London Diamond. Observing Laura s frustration he convinces her to help him execute an ingenious plan to steal a hefty sum in diamonds. But unbeknownst to Laura Hobbs plans go even farther than he s let on and together they set in motion a thrilling heist of dizzying proportions the likes of which London has never seen.System Requirements:Running Time: 109 mintuesFormat: DVD MOVIE Genre: DRAMA/PSYCHOLOGICAL DRAMA Rating: PG-13 UPC: 876964001038 Manufacturer No! : 10103It would be overpraise to propose that Flawless reviews itself with its title, but... how about "supremely decorous"? It is, at any rate, a film that merits a grateful salute from audiences weary of being beaten about the head and shoulders in pursuit of an engrossing caper movie. A plot to make off with a fortune in gems from England's premier diamond company unfolds without explosions, vrooming vehicles, or rapid-fire shootouts. It's like a feature-length variation on those sly, soft-spoken Alfred Hitchcock Presents episodes of the '50s, with the patient accumulation of mood, detail and character leading to wry twists and satisfying revelations. We are in 1960 and a London not yet disposed to swing. Laura Quinn (Demi Moore), the lone female officer of London Diamond Corporation, is smarter and more capable than her male colleagues, but that doesn't deter the company from promoting them over her while profiting from her talents. This has long since go! tten old, so when Mr. Hobbs (Michael Caine), the mild-mannered! night j anitor, enlists her in a scheme to fill his thermos with two million pounds' worth of diamonds from the vault, she listens. Suffice it to say that the vault is penetrated according to plan--and then the real tension sets in. Things are not what they seem, even to those supposedly in the know (us, for instance), and distrust springs up between the conspirators as they find themselves under close scrutiny by a steely investigator (Lambert Wilson).

All this is intelligently scripted by Edward A. Anderson (a maiden effort) and directed by Michael Radford with a crisp, unostentatious eye; the cold interiors of the Lon Di headquarters, generically oppressive on first sight, take on a nuanced familiarity as the place where, for the most part, Laura Quinn spends her life. Demi Moore--scarlet lips in a black-and-grey world--admirably catches Laura's not-quite-smothered ambition and frustration without breaking her cover, as it were. Michael Caine couldn't be better as Hobbs, an i! nvisible man in plain sight (how many viewers fail to notice his first appearance in the film?); he's the master of his trade, but you knew that. There's a framing story, set more or less in the present, which seems to be an obligatory bow to feminism but sets up a tease or two of its own, then adds yet another twist to the proceedings. --Richard T. Jameson

Gone, Baby, Gone: A Novel

• ISBN13: 9780061336218
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Gone Baby Gone is Ben Affleck s directorial debut, adapted by Affleck from the novel by Dennis Lehane "Mystic River".
It is an intense look inside an ongoing investigation about the mysterious disappearance of a little girl. As two young private detectives (Casey Affleck and Michelle Monaghan) hired to take the case get closer to finding her, they discover that nothing is as it seems and more dangerous than they ever thought possible. Also starring Academy Award® winners Morgan Freeman (Million Dollar Baby) and Ed Harris (Pollack).For his initial offering as director, Ben Affleck returns to the site of his first Oscar: South Boston. (He and Matt Damon shared the award for Good Will Hunting! .) Hot on the heels of his moving turn in Hollywoodland, Affleck's Dennis Lehane adaptation marks one of the more seamless actor-to-filmmaker transitions in recent years. Ostensibly, a procedural about the search for a missing child, class and corruption emerge as his primary concerns. First off, there's low-rent private eye Patrick Kenzie (Casey Affleck, equally adept in The Assassination of Jesse James by the Coward Robert Ford). Then there's the girl's drug mule mother, Helene (Amy Ryan, Before the Devil Knows You're Dead). She and Patrick grew up in Dorchester, but he took a different path, setting up an agency with his girlfriend, Angie (Michelle Monaghan). Helene's aunt, Bea (Amy Madigan), hires the duo to augment the investigation, and they team up with Captain Doyle (Morgan Freeman) and Detective Bressant (Madigan's husband, Ed Harris). The authorities don't appreciate the interference, but Patrick knows how to get the local populace talking, an! d he soon finds there's more to the story than anyone could po! ssibly i magine. Hard-hitting, but never soft-headed, the evocative end result proves Affleck has a flair for this directing thing and that his little brother can carry a major motion picture with aplomb. Gone Baby Gone belongs on the list of great Boston crime dramas, along with The Departed and Mystic River, Clint Eastwood’s take on Lehane. --Kathleen C. Fennessy

The tough neighborhood of Dorchester is no place for the innocent or the weak. Its territory is defined by hard heads and even harder luck; its streets are littered with the detritus of broken families, hearts, dreams. Now, one of its youngest is missing. Private investigators Patrick Kenzie and Angela Gennaro don’t want the case. But after pleas from the child’s aunt, they open an investigation that will ultimately risk everythingâ€"their relationship, their sanity, and even their livesâ€"to find a little girl lost.

Cheese Olamon, "a six-foot-two, four-hundred-and-thirty-pound ye! llow-haired Scandinavian who'd somehow arrived at the misconception he was black," is telling his old grammar school friends Patrick Kenzie and Angie Gennaro why they have to convince another mutual chum, the gun dealer Bubba Rugowski, that Cheese didn't try to have him killed. "You let Bubba know I'm clean when it comes to what happened to him. You want me alive. Okay? Without me, that girl will be gone. Gone-gone. You understand? Gone, baby, gone." Of all the chilling, completely credible scenes of sadness, destruction, and betrayal in Dennis Lehane's fourth and very possibly best book about Kenzie and Gennaro, this moment stands out because it captures in a few pages the essence of Lehane's success.

Private detectives Kenzie and Gennaro, who live in the same working-class Dorchester neighborhood of Boston where they grew up, have gone to visit drug dealer Cheese in prison because they think he's involved in the kidnapping of 4-year-old Amanda McCready! . Without sentimentalizing the grotesque figure of Cheese, Le! hane tel ls us enough about his past to make us understand why he and the two detectives might share enough trust to possibly save a child's life when all the best efforts of traditional law enforcement have failed. By putting Kenzie and Gennaro just to one side of the law (but not totally outside; they have several cop friends, a very important part of the story), Lehane adds depth and edge to traditional genre relationships. The lifelong love affair between Kenzie and Gennaro--interrupted by her marriage to his best friend--is another perfectly controlled element that grows and changes as we watch. Surrounded by dead, abused, and missing children, Kenzie mourns and rages while Gennaro longs for one of her own. So the choices made by both of them in the final pages of this absolutely gripping story have the inevitability of life and the dazzling beauty of art.

Other Kenzie/Gennaro books available in paperback: Darkness, Take My Hand, A Drink Before the! War, Sacred. --Dick Adler

Fascination

• This is ROLLIN at his best; visual delights, sensual lesbian lovemaking, and the beautiful Brigitte Lahaie as a scythe-wielding avenger, and a group of castle dwelling bourgeois women blood-drinkers. Two women chosen by the group must slaughter and communally consume in a cannibalistic vampire way. Format: DVD MOVIE Genre: HORROR Rating: NR MA Age: 844015000286 UPC: 

Against a deceptively tranquil background of tropical breezes and secluded beaches, a sultry tale of obsession and seduction unfolds in this riveting erotic thriller. Starring Jacqueline Bisset, Adam Garcia, Alice Evans, and James Naughton, Fascination throbs with danger, deceit, passion, and suspense. Scott Doherty (Garcia) is baffled and distraught after his father mysteriously drowns. His confusion turns to fury, however, when his mother, Maureen (Bisset), returns from a cruise just a few weeks later with her ne! w lover, Oliver Vance (Stuart Wilson). Suspecting foul play, Scott confides in Oliver's beautiful daughter, Kelly (Evans); and as the two begin their own investigation, they succumb to unbridled passion. But Kelly has dark secrets of her own, and while she seems to be the love of Scott's life, she could also be the end of it.The masterpiece of renowned French filmmaker Jean Rollin, FASCINATION follows a swaggering thief who hides out in a lavish chateau, holding the occupants at gunpoint. When night falls, he realizes that these two maids are not only deadlier than he imagined, but are gatekeepers to a ring of women with a thirst for blood.

BONUS FEATURES: Original Theatrical French Trailer, Deleted Sex Scenes (16 min), Short Subject Documentary: ''Virgins & Vampires'' (24 min), Trailers for The Nude Vampire, Lips of Blood, Shiver of the Vampires & The Iron Rose.A pair of society women dressed in all their finery stand in the middle of an abattoir, animal car! casses hanging behind them and blood splashed across the floor! . Giggli ng and fidgeting, they drink their prescribed glass of ox blood. The startling, unreal image of high-society manners in the midst of gore and death pitches Jean Rollin's 1979 feature Fascination into a turn-of-the-century culture come unhinged. When a well-dressed rogue, fleeing from angry partners he double-crossed, takes refuge in a lavish, moat-protected mansion, servant girls Franca Mai and Brigitte Lahaie cajole, tease, and seduce him into staying for their nighttime soiree. "You have stumbled into Elizabeth and Eva's life, the universe of madness and death," mutters one of them as they await the cabal where he is the guest of honor. Shot on a starvation budget and populated with stiff performers, Rollin's direction is arch and at times sloppy and his story never more than an outline. It's the mix of dreamy and nightmarish imagery that gives Fascination its fascination: blonde Lahaie stalking victims with a scythe, the bourgeois blood cult swarming over a ! fresh victim like wild animals, alabaster faces streaked in blood. While it lacks the delirious spontaneity of his earlier vampire films Shiver of the Vampires and Requiem for a Vampire, the languid pace and austere beauty creates an often-mesmerizing fantasy. The DVD also features the original theatrical trailer, a gallery of production stills, and a Rollin filmography. --Sean AxmakerThis is cult director Jean Rollin at his best; visual delights, sensual lesbian lovemaking, the beautiful Brigitte Lahaie as a scythe-wielding avenger and a group of castle-dwelling bourgeois blood-drinkers. Two woman chosen by the group must find a man that they must slaughter and communally consume in a cannibalistic vampire feast.A pair of society women dressed in all their finery stand in the middle of an abattoir, animal carcasses hanging behind them and blood splashed across the floor. Giggling and fidgeting, they drink their prescribed glass of ox blood. The startli! ng, unreal image of high-society manners in the midst of gore ! and deat h pitches Jean Rollin's 1979 feature Fascination into a turn-of-the-century culture come unhinged. When a well-dressed rogue, fleeing from angry partners he double-crossed, takes refuge in a lavish, moat-protected mansion, servant girls Franca Mai and Brigitte Lahaie cajole, tease, and seduce him into staying for their nighttime soiree. "You have stumbled into Elizabeth and Eva's life, the universe of madness and death," mutters one of them as they await the cabal where he is the guest of honor. Shot on a starvation budget and populated with stiff performers, Rollin's direction is arch and at times sloppy and his story never more than an outline. It's the mix of dreamy and nightmarish imagery that gives Fascination its fascination: blonde Lahaie stalking victims with a scythe, the bourgeois blood cult swarming over a fresh victim like wild animals, alabaster faces streaked in blood. While it lacks the delirious spontaneity of his earlier vampire films Shiver! of the Vampires and Requiem for a Vampire, the languid pace and austere beauty creates an often-mesmerizing fantasy. The DVD also features the original theatrical trailer, a gallery of production stills, and a Rollin filmography. --Sean Axmaker