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Jayne (Parker Posey) and Laura (Demi Moore) are about to take on the first man they just might not be able to handle: their father Joe (Rip Torn). Dutiful daughters returning to the house they grew up in, Jayne and Laura are forced to take a closer look at their own not-so-perfect lives. Laura suspects that Joe needs full-time care, but Jayne refuses to believe that their father’s condition is seri! ous. Jayne’s compulsion to escape reality only increases Laura’s attempts to yank her back down to earth. Meanwhile, Joe still sings and plays the blues on his prized guitar, and the lively widower even has a new “ladyfriend,” shameless and sassy Shelly (Ellen Barkin). Tensions flare as Joe’s senility increases and the close sisters must also juggle their own very different lives â€" but their adventures back home are not without merriment, mischief and even a little childhood magic.Parker Posey and Demi Moore prove inspired casting as troubled sisters in Happy Tears. Posey (all quirks and neuroses) plays Jayne, the sister who married the wealthy but unstable son of a famous artist and is now enveloped in a bubble of money; Moore (half woman warrior, half earth mother) plays Laura, the sister who isn't rich and who has ended up taking care of their increasingly erratic father, Joe (Rip Torn, Men in Black, The Larry Sanders Show), and who is ma! naging--just barely--not to resent Jayne for the difference in! their l ives. But Joe is slipping into dementia and giving away money to a needy addict named Shelly (Ellen Barkin, Ocean's Thirteen, Sea of Love), so Jayne comes back home to decide with Laura what to do. Happy Tears is a peculiar yet vivid movie; the naturalistic surface of its domestic drama is punctured with odd moments of surrealism, such as when Jayne hallucinates that a boot salesman has turned into a vulture. The plot wanders, the characters are explored unevenly, yet moment to moment Happy Tears holds you by virtue of a surprising honesty. Jayne, Laura, Joe, and Shelly feel--despite a bit of hamminess in the performances--like real people, with jagged edges that can't be ignored or explained away. --Bret Fetzer

Stills from Happy Tears (Click for larger image)
PRINCESS KAIULANI - DVD MoviePrincess Kaiulani is a moving film that's part romantic epic, part historical period piece. But mostly it's a portrait of how a frightened young girl grew into an extraordinary woman. The film begins in 1889, when civil unrest unsea! ted Hawaii's royal family and the Hawaiian people began a stru! ggle to maintain their independence and right of self-governance, and when the 13-year-old princess Ka'iulani (Q'orianka Kilcher), who was next in line for the Hawaiian throne, was exiled to England to ensure her safety. Shot on location in both England and Hawaii by indie director Marc Forby, this breathtakingly beautiful film follows Ka'iulani as she is plopped down in a foreign world that looks upon Hawaiians as barbarians and where her royal heritage counts for virtually nothing. Princess Ka'iulani, or "Victoria," as the English often call her, endures harsh treatment at the hands of both teachers and students at boarding school, but she refuses to crumble, carrying on with a strength and quiet resolve that's powerfully portrayed by Kilcher. As Ka'iulani matures, she falls in love with Englishman Clive Davies (Shaun Evans) and becomes engaged. Just as Ka'iulani's happiness seems assured, her father visits her in England, bringing with him serious news: her uncle, King Kalakaua (! Ocean Kaowili), has died unexpectedly after having been forced to adopt a constitution in conflict with the best interests of the Hawaiian people, and Ka'iulani's aunt Liliu'okalani (Leo Anderson Akana), who ascended to the throne, has subsequently been put under house arrest and removed from power. Incensed by the grave injustices inflicted upon her people, Princess Ka'iulani is propelled by her inherent sense of duty to sacrifice her own potential happiness. She journeys first to America, where she eloquently pleads with outgoing president Grover Cleveland for his help, and later to Hawaii, where she fights for her people's rights in person. Princess Kaiulani is a powerful film, and what comes across so strongly is not just the often-overlooked perspective of the native Hawaiian people regarding America's annexation of Hawaii and the cultural consequences of that annexation, but the truly heroic acts of Hawaii's extraordinary Princess Ka'iulani. --Tami HoriuchiGermany released, Blu-Ray/Region B : it WILL NOT play on re! gular DV D player, or on standard US Blu-Ray player. You need multi-region Blu-Ray player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 5.1 ), German ( Dolby Digital 5.1 ), German ( Subtitles ), WIDESCREEN (1.78:1), SPECIAL FEATURES: Biographies, Filmographies, Interactive Menu, Photo Gallery, Scene Access, Trailer(s), SYNOPSIS: Jayne and Laura are about to take on the first man they just might not be able to handle: their seventy-something-year-old father Joe. Dutiful daughters returning to the house they grew up in, Jayne and Laura are forced to take a closer look at their own not-so-perfect lives while dodging childhood memories. Laura suspects that Joe needs full-time care, but Jayne hopes that their father's condition isn't that serious. Joe is still singing and playing his old guitar, and the lively widower even has a new 'ladyfriend,' shameless and sassy Shelly. But as the visible moments of their father's impending senility increase, so do the dysfunctional fam! ily dynamics. Tensions flare as the close sisters must also juggle their own very different lives - Laura's busy schedule as an environmentalist and mother of two small children, and Jayne, desperate to finally have a baby with her workaholic art-dealing husband Jackson. Their adventures back home are not without magic, mischief and mayhem, and even a search for buried treasure in the backyard! Any tears that Jayne and Laura might shed will be happy ones. SCREENED/AWARDED AT: Berlin International Film Festival, ...Happy TearsThe domestic disciplinary adventures of a family consisting of the beautiful widowed Eleanor Stanfield, her teenage daughter, Arthur Hadley, a handsome widower, and his spoiled, haughty offspring. When Eleanor and Arthur marry, the domineering stepmother sets out for the ultimate training of both girls, enhancing the blissful relationship between the newlyweds. A psychological study of both the erotic and disciplinary effects of corporal punishment. Ill! ustrated.CLASSIC CHASTISEMENT The domestic disciplinary advent! ures of a family consisting of the beautiful widowed Eleanor Stanfield, her teenage daughter, Arthur Hadley, a handsome widower, and his spoiled, haughty offspring. When Eleanor and Arthur marry, the domineering stepmother sets out for the ultimate training of both girls, enhancing the blissful relationship between the newlyweds. A psychological study of both the erotic and disciplinary effects of corporal punishment. Tammy La GorceYour iphone is as attractive and usable while protected from dust and scratches in this plastic clip case accessory. Extremely tough, durable case molds perfectly to your phone's shape while providing easy access to all functions without having to remove the case. This style of case is for back cover only. No front cover available as this is a newest style of iphone case. NOTE: Due to differences in monitors, color may vary from photo. For iPhone 3G / 3G S. Sorry, NOT compatible with iPhone 1st Generation