Friday, November 25, 2011

The Foreign Correspondent: A Novel

  • ISBN13: 9780812967975
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
From Alan Furst, whom The New York Times calls “America’s preeminent spy novelist,” comes an epic story of romantic love, love of country, and love of freedomâ€"the story of a secret war fought in elegant hotel bars and first-class railway cars, in the mountains of Spain and the backstreets of Berlin. It is an inspiring, thrilling saga of everyday people forced by their hearts’ passion to fight in the war against tyranny.

By 1938, hundreds of Italian intellectuals, lawyers and journalists, university professors and scientists had escaped Mussolini’s fascist government and taken refuge in Paris. There, amid the struggles of émigré life, they founded an Italian resistance, with an unde! rground press that smuggled news and encouragement back to Italy. Fighting fascism with typewriters, they produced 512 clandestine newspapers. The Foreign Correspondent is their story.

Paris, a winter night in 1938: a murder/suicide at a discreet lovers’ hotel. But this is no romantic tragedâ€"it is the work of the OVRA, Mussolini’s fascist secret police, and is meant to eliminate the editor of Liberazione, a clandestine émigré newspaper. Carlo Weisz, who has fled from Trieste and secured a job as a foreign correspondent with the Reuters bureau, becomes the new editor.
Weisz is, at that moment, in Spain, reporting on the last campaign of the Spanish civil war. But as soon as he returns to Paris, he is pursued by the French Sûreté, by agents of the OVRA, and by officers of the British Secret Intelligence Service. In the desperate politics of Europe on the edge of war, a foreign correspondent is a pawn, worth surveillance, or blackmail, or mur! der.

The Foreign Correspondent is the story of Carlo W! eisz and a handful of antifascists: the army officer known as “Colonel Ferrara,” who fights for a lost cause in Spain; Arturo Salamone, the shrewd leader of a resistance group in Paris; and Christa von Schirren, the woman who becomes the love of Weisz’s life, herself involved in a doomed resistance underground in Berlin.

The Foreign Correspondent is Alan Furst at his absolute bestâ€"taut and powerful, enigmatic and romantic, with sharp, seductive writing that takes the reader through darkness and intrigue to a spectacular denouement.


From the Hardcover edition.
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Buck Hood Hoodlum Hunting Knife

  • Blade Length: 10" (25.4 cm)
  • Blade Material: 5160 Carbon Steel
  • Carry System: Black, heavy duty nylon, M.O.L.L.E. compatible sheath
  • Handle Material: Micarta
  • Weight: 14.6 oz (22.0 g)
OscarÂ(r) nominees* Laurence Fishburne, Tim Roth and Andy Garcia set the screen ablaze in this riveting crime thriller exploding with spectacular gun battles and brutal action. In 1930s' New York, Bumpy Johnson (Fishburne) rules the Harlem numbers racket with a rare combination of honor, dignity and strength. But when savage gangster Dutch Schultz (Roth), threatens his reign witha series of bloody attacks, Bumpy knows that the only way to win is to play Dutch's deadly game. Asa vicious war spins madly out of control, so does Bumpy's personal life, and soon the mobster realizes that his only way out is to instigate a dangerous plan involving one of the most feared and powerful gangst! ers in history...mob chieftan Lucky Luciano (Garcia). Featuring outstanding supporting performances by Vanessa Williams and the legendary Cicely Tyson, Hoodlum is a thrilling, electrifying and suspense-filled adventure! *Fishburne: Actor, What's Love Got to DoWith It (1993); Roth: Supporting Actor, Rob Roy (1995); Garcia: Supporting Actor, TheGodfather III (1990)A flawed but admirably ambitious gangster movie, Hoodlum aspires to be a kind of Harlem-based equivalent to The Godfather, and while it falls short of that lofty goal it's still got plenty of qualities to make it well worth seeing. It's the first film to tell the story of Ellsworth "Bumpy" Johnson (charismatically played by Laurence Fishburne), an ex-convict who dominated the Harlem numbers racket during the 1930s and '40s. As he rises to power he gains equally powerful enemies, including hotheaded Bronx gangster Dutch Schultz (Tim Roth) and the suave mobster Lucky Luciano (Andy Garcia). Determined ! to defend his Harlem turf against these invaders, Bumpy eclips! es the " policy queen" Stephanie St. Clair (Cicely Tyson) and becomes a self-styled Robin Hood figure, attracting the attention of a community servant (Vanessa Williams) who must confront the brutality of Bumpy's business. A must-see for anyone who likes gangster movies, Hoodlum is certainly not a masterpiece, but sharp performances and some powerful scenes make it an interesting look at a little-known chapter in criminal history. --Jeff ShannonOne of the niftiest "B" gangster films of the "noir" era tells the story of ex-con Vincent Lubeck (a solid performance by Reservoir Dogs' Lawrence Tierney) on parole because of the pleadings of his mother, with orders to stay clean for five years. Working for his brother at a gas station, Lawrence looks for an easy way to make money. He calls in some of his old associates and they rob an armored car where several people are killed. Edward Tierney (real-life brother of Lawrence) makes his screen debut delivering a promising perfor! mance, and the rest of the cast offer excellent performances in this tough, fast-paced dramatic film from the director of Dillinger, based on actual news accounts of the plight of many ex-cons.A flawed but admirably ambitious gangster movie, Hoodlum aspires to be a kind of Harlem-based equivalent to The Godfather, and while it falls short of that lofty goal it's still got plenty of qualities to make it well worth seeing. It's the first film to tell the story of Ellsworth "Bumpy" Johnson (charismatically played by Laurence Fishburne), an ex-convict who dominated the Harlem numbers racket during the 1930s and '40s. As he rises to power he gains equally powerful enemies, including hotheaded Bronx gangster Dutch Schultz (Tim Roth) and the suave mobster Lucky Luciano (Andy Garcia). Determined to defend his Harlem turf against these invaders, Bumpy eclipses the "policy queen" Stephanie St. Clair (Cicely Tyson) and becomes a self-styled Robin Hood figure, attracting! the attention of a community servant (Vanessa Williams) who m! ust conf ront the brutality of Bumpy's business. A must-see for anyone who likes gangster movies, Hoodlum is certainly not a masterpiece, but sharp performances and some powerful scenes make it an interesting look at a little-known chapter in criminal history. --Jeff ShannonA flawed but admirably ambitious gangster movie, Hoodlum aspires to be a kind of Harlem-based equivalent to The Godfather, and while it falls short of that lofty goal it's still got plenty of qualities to make it well worth seeing. It's the first film to tell the story of Ellsworth "Bumpy" Johnson (charismatically played by Laurence Fishburne), an ex-convict who dominated the Harlem numbers racket during the 1930s and '40s. As he rises to power he gains equally powerful enemies, including hotheaded Bronx gangster Dutch Schultz (Tim Roth) and the suave mobster Lucky Luciano (Andy Garcia). Determined to defend his Harlem turf against these invaders, Bumpy eclipses the "policy queen" Steph! anie St. Clair (Cicely Tyson) and becomes a self-styled Robin Hood figure, attracting the attention of a community servant (Vanessa Williams) who must confront the brutality of Bumpy's business. A must-see for anyone who likes gangster movies, Hoodlum is certainly not a masterpiece, but sharp performances and some powerful scenes make it an interesting look at a little-known chapter in criminal history. --Jeff ShannonThe Hoodlum is built for ultimate survival. Based on Ron Hood's design and built to Buck's quality standards, the Hoodlum helps ensure survival in extreme conditions. It is light enough to carry in a sheath, but heavy duty enough for any task out in the wilderness. The handle is built with a Shock Mitigation System (SMS) to alleviate shock and wasted energy when chopping. It has a large finger choil for providing control while whittling or other detailed activities. A groove is cut into the blade spine for scoring bone, bending wire, removing pots! from a camp fire, or other small tasks. Also, the Micarta han! dles can be removed to create a spear by lashing a branch to the tang of the blade. There is an integrated hammer and lanyard hole in the butt of the handle and it comes with a heavy duty nylon sheath. The Hoodlum will serve all your survival needs from protection to food prep while out in the wilderness.
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Daytime Drinking

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Bruce Almighty (Widescreen Edition)

  • TESTED
Evan Almighty is a comedy for all ages that "you don't want to miss" (Kim Griffis, NBC-TV)!

Everyone's favorite funnyman Steve Carell is at his hilarious best as junior congressman Evan Baxter, whose wish to "change the world" is heard by none other than God (Academy Award winner Morgan Freeman). When God appears with the perplexing request to build an ark, Evan is sure he is losing it. But soon mysterious deliveries of wood and tools are being dropped on his doorstep, animals of every shape and size are flocking to him two by two, and his self-absorbed life goes from overnight success to almighty mess! It's a great time for everyone!

Steve Carell rides the wave of 40-Year-Old Virgin stardom (and a biblical flood) in this bizarre, effects-heavy comedy about a modern-day Noah's ark. The film is nominally a sequel to Bruce Almighty, although it bears little relati! on to the 2003 Jim Carrey hit--except for the divine intervention of Morgan Freeman, who returns in his role as God. Even Carell's character is much altered from his supporting part in the first film; here, Evan Baxter says goodbye to the news-anchoring business in favor of his job as a naive freshman congressman. When God orders him to build an ark and prepare for an impending inundation, Evan sheepishly takes on the task (it's hard to turn down the job when your hair and beard grow to Old Testament lengths and God wants you to walk around in sackcloth).

Carell gets to do silly dances and mix it up with a variety of animals (real and computer-generated), all of which reminds us of the film's family-friendly tone and the PG rating. The kid stuff works just fine, although the religio-environmental message-mongering makes this a most curious kind of Hollywood blockbuster. When the flood comes, the film shifts into a mammoth-sized CGI extravaganza, recalling the era of! overstuffed techno-comedies such as 1941 and Howard! the Duc k (and not to be nit-picky, but the tsunami-like disaster that overtakes Washington, D.C., looks as though it would snuff out the lives of quite a few citizens). Capable comic support comes from John Michael Higgins, Wanda Sykes, and Jonah Hill, with John Goodman and Lauren Graham filling out stock roles of fatcat politico and loyal wife, respectively. Carell is even better at being sincere than being funny, a talent that comes in handy here and bodes well for his future versatility. --Robert Horton

Evan Almighty is a comedy for all ages that "you don't want to miss" (Kim Griffis, NBC-TV)!

Everyone's favorite funnyman Steve Carell is at his hilarious best as junior congressman Evan Baxter, whose wish to "change the world" is heard by none other than God (Academy Award winner Morgan Freeman). When God appears with the perplexing request to build an ark, Evan is sure he is losing it. But soon mysterious deliveries of wood and tools are being dropped on his! doorstep, animals of every shape and size are flocking to him two by two, and his self-absorbed life goes from overnight success to almighty mess! It's a great time for everyone!

Steve Carell rides the wave of 40-Year-Old Virgin stardom (and a biblical flood) in this bizarre, effects-heavy comedy about a modern-day Noah's ark. The film is nominally a sequel to Bruce Almighty, although it bears little relation to the 2003 Jim Carrey hit--except for the divine intervention of Morgan Freeman, who returns in his role as God. Even Carell's character is much altered from his supporting part in the first film; here, Evan Baxter says goodbye to the news-anchoring business in favor of his job as a naive freshman congressman. When God orders him to build an ark and prepare for an impending inundation, Evan sheepishly takes on the task (it's hard to turn down the job when your hair and beard grow to Old Testament lengths and God wants you to walk around in sackcloth)! .

Carell gets to do silly dances and mix it up with a ! variety of animals (real and computer-generated), all of which reminds us of the film's family-friendly tone and the PG rating. The kid stuff works just fine, although the religio-environmental message-mongering makes this a most curious kind of Hollywood blockbuster. When the flood comes, the film shifts into a mammoth-sized CGI extravaganza, recalling the era of overstuffed techno-comedies such as 1941 and Howard the Duck (and not to be nit-picky, but the tsunami-like disaster that overtakes Washington, D.C., looks as though it would snuff out the lives of quite a few citizens). Capable comic support comes from John Michael Higgins, Wanda Sykes, and Jonah Hill, with John Goodman and Lauren Graham filling out stock roles of fatcat politico and loyal wife, respectively. Carell is even better at being sincere than being funny, a talent that comes in handy here and bodes well for his future versatility. --Robert Horton

Evan Almighty is a comedy for all ages tha! t "you don't want to miss" (Kim Griffis, NBC-TV)!

Everyone's favorite funnyman Steve Carell is at his hilarious best as junior congressman Evan Baxter, whose wish to "change the world" is heard by none other than God (Academy Award winner Morgan Freeman). When God appears with the perplexing request to build an ark, Evan is sure he is losing it. But soon mysterious deliveries of wood and tools are being dropped on his doorstep, animals of every shape and size are flocking to him two by two, and his self-absorbed life goes from overnight success to almighty mess! It's a great time for everyone!

Steve Carell rides the wave of 40-Year-Old Virgin stardom (and a biblical flood) in this bizarre, effects-heavy comedy about a modern-day Noah's ark. The film is nominally a sequel to Bruce Almighty, although it bears little relation to the 2003 Jim Carrey hit--except for the divine intervention of Morgan Freeman, who returns in his role as God. Even Carell's ! character is much altered from his supporting part in the firs! t film; here, Evan Baxter says goodbye to the news-anchoring business in favor of his job as a naive freshman congressman. When God orders him to build an ark and prepare for an impending inundation, Evan sheepishly takes on the task (it's hard to turn down the job when your hair and beard grow to Old Testament lengths and God wants you to walk around in sackcloth).

Carell gets to do silly dances and mix it up with a variety of animals (real and computer-generated), all of which reminds us of the film's family-friendly tone and the PG rating. The kid stuff works just fine, although the religio-environmental message-mongering makes this a most curious kind of Hollywood blockbuster. When the flood comes, the film shifts into a mammoth-sized CGI extravaganza, recalling the era of overstuffed techno-comedies such as 1941 and Howard the Duck (and not to be nit-picky, but the tsunami-like disaster that overtakes Washington, D.C., looks as though it would snuff out th! e lives of quite a few citizens). Capable comic support comes from John Michael Higgins, Wanda Sykes, and Jonah Hill, with John Goodman and Lauren Graham filling out stock roles of fatcat politico and loyal wife, respectively. Carell is even better at being sincere than being funny, a talent that comes in handy here and bodes well for his future versatility. --Robert Horton

Steve Carell rides the wave of 40-Year-Old Virgin stardom (and a biblical flood) in this bizarre, effects-heavy comedy about a modern-day Noah's ark. The film is nominally a sequel to Bruce Almighty, although it bears little relation to the 2003 Jim Carrey hit--except for the divine intervention of Morgan Freeman, who returns in his role as God. Even Carell's character is much altered from his supporting part in the first film; here, Evan Baxter says goodbye to the news-anchoring business in favor of his job as a naive freshman congressman. When God orders him to build an ark and ! prepare for an impending inundation, Evan sheepishly takes on ! the task (it's hard to turn down the job when your hair and beard grow to Old Testament lengths and God wants you to walk around in sackcloth).

Carell gets to do silly dances and mix it up with a variety of animals (real and computer-generated), all of which reminds us of the film's family-friendly tone and the PG rating. The kid stuff works just fine, although the religio-environmental message-mongering makes this a most curious kind of Hollywood blockbuster. When the flood comes, the film shifts into a mammoth-sized CGI extravaganza, recalling the era of overstuffed techno-comedies such as 1941 and Howard the Duck (and not to be nit-picky, but the tsunami-like disaster that overtakes Washington, D.C., looks as though it would snuff out the lives of quite a few citizens). Capable comic support comes from John Michael Higgins, Wanda Sykes, and Jonah Hill, with John Goodman and Lauren Graham filling out stock roles of fatcat politico and loyal wife, respectively. Ca! rell is even better at being sincere than being funny, a talent that comes in handy here and bodes well for his future versatility. --Robert HortonDVDBestowing Jim Carrey with godlike powers is a ripe recipe for comedy, and Bruce Almighty delivers the laughs that Carrey's mainstream fans prefer. The high-concept premise finds Carrey playing Bruce Nolan, a frustrated Buffalo TV reporter, stuck doing puff-pieces while a lesser colleague (the hilarious Steven Carell) gets the anchor job he covets. Bruce demands an explanation from God, who pays him a visit (in the serene form of Morgan Freeman) and lets Bruce take over while he takes a brief vacation. What does a petty, angry guy do when he's God? That's where Carrey has a field day, reuniting with his Ace Ventura and Liar, Liar director, Tom Shadyac, while Jennifer Aniston gamely keeps pace as Bruce's put-upon fiancée. Carrey's actually funnier before he becomes Him, and the movie delivers ! a sappy, safely diluted notion of faith that lacks the sinceri! ty of th e 1977 hit Oh, God! Still, we can be thankful that Carrey took the high road and left Little Nicky to Adam Sandler. --Jeff Shannon

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Girl on the Bridge

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The Vampire's Assistant (Cirque du Freak, Book 2)

  • ISBN13: 9780316606844
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Welcome to the Cirque Du Freak, a traveling sideshow filled with magical creatures, misunderstood freaks, and the mysterious vampire, Larten Crepsley (John C. Reilly). Drawn to the dark, unpredictable world of the Cirque, 16-year-old Darren (Chris Massoglia) decides to trade in his ordinary life for a chance to become an immortal vampire. As Darren explores his newfound powers and faces unexpected enemies, he’ll find that his existence as a member of the undead is filled with more challenges, suspense and fun than he ever thought possible. Based on the best-selling book series and co-starring Salma Hayek, Josh Hutcherson, Ken Watanabe, and Willem Dafoe, it’s a fast-paced, suspenseful journey criti! cs call, “Imaginative!” (Peter Hall, Cinematical.com)Adapted from Darren O'Shaughnessy's book series the Saga of Darren Shan, Cirque du Freak: A Vampire's Assistant is an endearingly goofy teen-vampire tale reminiscent of The Goonies or Lost Boys. Like those kids' horror classics, Cirque du Freak is a coming-of-age tale in which maturity is hastened by horrific discoveries of alternate realms. Best friends Darren Shan (Chris Massoglia) and Steve (Josh Hutcherson) embark on a life-changing career path as monster prodigies after attending a taboo freak show starring various mutants and Madame Octa, a fluffy, neon orange, Muppetlike spider that Darren is irrevocably compelled to kidnap. Darren's petty theft results in the boys' introductions into the dualistic realm of good vampires, including the paternal Larten Crepsley (John C. Reilly), and less-generous bloodsuckers such as Murlaugh (Ray Stevenson) and his Vampaneze family. Part of the fun i! s in learning how vampires are defined in this world; for exam! ple, the y can't turn into bats but they have magic spit. The film's additional appeal is in its clever teen-vampire cultural nods, such as when Darren plays his Gameboy inside his coffin. The actual circus, too, offers a wide array of fun, spooky characters, such as ringleader Mr. Tall (Ken Watanabe) and Darren's scaly buddy Snakeboy (Patrick Fugit). Cirque du Freak: A Vampire's Assistant has tough moments, too, once the boys realize they can't look back. These moments transform Cirque du Freak: A Vampire's Assistant into a film parents may even be charmed by. --Trinie DaltonDarren Shan was just an ordinary schoolboy until his visit to the Cirque Du Freak. Now, as he struggles with his new life as a Vampire's Assistant, he tries desperately to resist the one temptation that sickens him, the one thing that can keep him alive. But destiny is calling. The Wolf Man is waiting.What if you were an unwilling vampire? You needed to drink human blood to stay alive, but! you weren't some horror-flick villain; you were you, born human--a nice person, even. Thus is the dilemma of the young narrator-protagonist, Darren Shan, in this tremendously suspenseful, oft-sickening sequel to Cirque Du Freak: The Saga of Darren Shan. In the first book, Darren becomes a vampire's assistant to save the life of his friend Steve. In order to do so, he has to fake his death, get buried alive, and head out--half-human, homeless, and friendless--into the world. The Vampire's Assistant chronicles his new lonely life as a half-vampire, pumped with the cursed blood of his vampire guardian, Mr. Crepsley. Darren has much to learn about his freshly supernatural state. He doesn't grow fangs, for instance, like he thought he might. And he can't change shape or fly. Garlic just gives vampires bad breath... And they eat bagels. Some of the hardest lessons of all come when he joins the traveling freak show Cirque Du Freak, t! he show that got him and Steve in trouble in the first place! . Reader s won't be disappointed by this fast-paced, gory, but strangely amiable sequel. In fact, the plot is much better paced than the first and the dialogue far more natural. Deadly pythons, a snake boy, Cormac Limbs (bite off his finger and it grows back!), and an entire cast of dreadfully creepy characters offer excitement beyond expectation. Along the way, we come to really like Darren, who will do absolutely anything for a friend. British author Darren Shan promises more adventures in 2002. (Ages 10 and older) --Karin Snelson
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Yu-Gi-Oh! - Fabled Krus - Hidden Arsenal 3 - 1st Edition - Secret Rare

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Wednesday, November 23, 2011

Lost in Translation

  • Oscar for Best Original Screenplay
  • A Conversation with Bill Murray and Sofia Coppola
  • "Lost" on Location: Behind the Scenes Documentary
  • "City Girl" Music Video by Kevin Shields
  • Extended and Deleted Scenes and More
Bill Murray (Lost in Translation) stars in the comedic story of an aging Don Juan who hits the road on a revealing and humorous cross-country journey. When a mysterious pink letter informs Don Johnston (Murray) that he may have a 19-year-old son, he visits four former lovers, where he comes face to face with the errors of his past and the possibilities of the future. From acclaimed director Jim Jarmusch and co-starring Sharon Stone, Frances Conroy, Jessica Lange, Tilda Swinton, and Jeffrey Wright, Broken Flowers is the highly original comedy that Peter Travers of Rolling Stone says is "filled with wonderful mischief" and "brings out the best in Bil! l Murray." Starring: Bill Murray, Sharon Stone, Jessica Lange, Jeffrey Wright, Tilda Swinton, Frances Conroy, Julie Delpy, Mark Webber, Chloe Sevigny, Christopher McDonald, Alexis Dziena Directed by: Jim JarmuschBill Murray gives yet another simple, seemingly effortless, yet illuminating performance in Jim Jarmusch's Broken Flowers. Don Johnston (Murray, Lost in Translation, Rushmore) receives an anonymous letter telling him that he has a 19 year old son who's looking for him. Don only decides to investigate at the prompting of his neighbor Winston (the indispensable Jeffrey Wright, Shaft, Basquiat), who not only tracks down the current addresses of the possible mothers, he plans Don's entire trip down to the rental cars. Almost against his will, Don finds himself knocking at the doors of four very different women (Sharon Stone, The Quick and the Dead; Frances Conroy, Six Feet Under; Jessica Lange, Sweet Dreams; and T! ilda Swinton, The Deep End) who were once his lovers. P! art road movie, part detective story, part existential meditation, Broken Flowers is even more minimalist than most Jarmusch movies (Stranger Than Paradise, Dead Man, Mystery Train)--anyone looking for an easy resolution should look elsewhere. But for anyone willing to let a movie be a poem as much as a story--i.e., let it observe behavior without explaining it--Broken Flowers will offer a wealth of mysteries, gestures, and Bill Murray's soulful eyes. It's a movie that's wonderfully eloquent about what's not being said. --Bret FetzerUniversal, Studios, Region 2 PAL 2005 106 minsBill Murray gives yet another simple, seemingly effortless, yet illuminating performance in Jim Jarmusch's Broken Flowers. Don Johnston (Murray, Lost in Translation, Rushmore) receives an anonymous letter telling him that he has a 19 year old son who's looking for him. Don only decides to investigate at the prompting of his neighbor Winston (the i! ndispensable Jeffrey Wright, Shaft, Basquiat), who not only tracks down the current addresses of the possible mothers, he plans Don's entire trip down to the rental cars. Almost against his will, Don finds himself knocking at the doors of four very different women (Sharon Stone, The Quick and the Dead; Frances Conroy, Six Feet Under; Jessica Lange, Sweet Dreams; and Tilda Swinton, The Deep End) who were once his lovers. Part road movie, part detective story, part existential meditation, Broken Flowers is even more minimalist than most Jarmusch movies (Stranger Than Paradise, Dead Man, Mystery Train)--anyone looking for an easy resolution should look elsewhere. But for anyone willing to let a movie be a poem as much as a story--i.e., let it observe behavior without explaining it--Broken Flowers will offer a wealth of mysteries, gestures, and Bill Murray's soulful eyes. It's a movie that's wonderfull! y eloquent about what's not being said. --Bret FetzerBi! ll Murra y gives yet another simple, seemingly effortless, yet illuminating performance in Jim Jarmusch's "Broken Flowers". Don Johnston (Murray, "Lost in Translation", "Rushmore") receives an anonymous letter telling him that he has a 19 year old son who's looking for him. Don only decides to investigate at the prompting of his neighbor Winston (the indispensable Jeffrey Wright, "Shaft", "Basquiat"), who not only tracks down the current addresses of the possible mothers, he plans Don's entire trip down to the rental cars. Almost against his will, Don finds himself knocking at the doors of four very different women (Sharon Stone, "The Quick and the Dead"; Frances Conroy, "Six Feet Under"; Jessica Lange, "Sweet Dreams"; and Tilda Swinton, "The Deep End") who were once his lovers. Part road movie, part detective story, part existential meditation, "Broken Flowers" is even more minimalist than most Jarmusch movies ("Stranger Than Paradise", "Dead Man", "Mystery Train")--anyone looking f! or an easy resolution should look elsewhere. But for anyone willing to let a movie be a poem as much as a story--i.e., let it observe behavior without explaining it--"Broken Flowers" will offer a wealth of mysteries, gestures, and Bill Murray's soulful eyes. It's a movie that's wonderfully eloquent about what's not being said. "--Bret Fetzer"Bill Murray gives yet another simple, seemingly effortless, yet illuminating performance in Jim Jarmusch's Broken Flowers. Don Johnston (Murray, Lost in Translation, Rushmore) receives an anonymous letter telling him that he has a 19 year old son who's looking for him. Don only decides to investigate at the prompting of his neighbor Winston (the indispensable Jeffrey Wright, Shaft, Basquiat), who not only tracks down the current addresses of the possible mothers, he plans Don's entire trip down to the rental cars. Almost against his will, Don finds himself knocking at the doors of four very different w! omen (Sharon Stone, The Quick and the Dead; Frances Con! roy, Six Feet Under; Jessica Lange, Sweet Dreams; and Tilda Swinton, The Deep End) who were once his lovers. Part road movie, part detective story, part existential meditation, Broken Flowers is even more minimalist than most Jarmusch movies (Stranger Than Paradise, Dead Man, Mystery Train)--anyone looking for an easy resolution should look elsewhere. But for anyone willing to let a movie be a poem as much as a story--i.e., let it observe behavior without explaining it--Broken Flowers will offer a wealth of mysteries, gestures, and Bill Murray's soulful eyes. It's a movie that's wonderfully eloquent about what's not being said. --Bret Fetzer

SHE WAS TOO GROWN-UP FOR CHILDISH GAMES.

BUT TOO YOUNG TO BECOME A WOMAN. . . .

Living with her parents and brother, Ian, in her Grandmother Emma's enormous mansion, Jordan March tries to be a good girl and follow her grandmother's strict rules. It's ! easy for Jordan to hide in the shadows -- between Ian's brilliant, all-consuming talents for science and the ever-more-frequent arguments among the grown-ups. But one day, without warning, Jordan's body begins to change -- and everyone notices her in a way that seems dark, dangerous, and threatening. Suddenly the March family secrets are unleashed, and Jordan is ashamed and afraid that her soft curves are unwelcome indeed. Shipped off to a lakeside hideaway, Jordan and Ian befriend a girl whose shocking revelations make for a summer of scandal and explosive emotion. Outraged, Grandmother Emma sets out to make Jordan pay for her family's past mistakes, sending her world spinning wildly out of control. . . .

Bill Murray (Actor), Scarlett Johansson (Actor), Sofia Coppola (Director) | Rated: R | Format: DVD

  • # DVD Release Date: May 3, 2009
  • # Run Time: 104 minutes
Like a good dream, Sofia Coppola's Lost in Translation envelops you with an aura! of fantastic light, moody sound, head-turning love, and a fee! ling of déjà vu, even though you've probably never been to this neon-fused version of Tokyo. Certainly Bob Harris has not. The 50-ish actor has signed on for big money shooting whiskey ads instead of doing something good for his career or his long-distance family. Jetlagged, helplessly lost with his Japanese-speaking director, and out of sync with the metropolis, Harris (Bill Murray, never better) befriends the married but lovelorn 25-year-old Charlotte (played with heaps of poise by 18-year-old Scarlett Johansson). Even before her photographer husband all but abandons her, she is adrift like Harris but in a total entrapment of youth. How Charlotte and Bill discover they are soul mates will be cherished for years to come. Written and directed by Coppola (The Virgin Suicides), the film is far more atmospheric than plot-driven: we whiz through Tokyo parties, karaoke bars, and odd nightlife, always ending up in the impossibly posh hotel where the two are staying. The wisps of ! bittersweet loneliness of Bill and Charlotte are handled smartly and romantically, but unlike modern studio films, this isn't a May-November fling film. Surely and steadily, the film ends on a much-talked-about grace note, which may burn some, yet awards film lovers who "always had Paris" with another cinematic destination of the heart. --Doug Thomas
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