Saturday, December 3, 2011

Appaloosa

  • In Marshal Virgil Cole and deputy Everett Hitchs line of work, you shoot quick, you shoot clean, and you reload straightaway. No remorse. No looking back. No feelings. Feelings get you killed. Paired as rivals in A History of Violence, Ed Harris (who also directs, produces and co-scripts) and Viggo Mortensen stand together as longtime friends and for-hire peacekeepers Cole and Hitch in this charac
In Marshal Virgil Cole and deputy Everett Hitchs line of work, you shoot quick, you shoot clean, and you reload straightaway. No remorse. No looking back. No feelings. Feelings get you killed. Paired as rivals in A History of Violence, Ed Harris (who also directs, produces and co-scripts) and Viggo Mortensen stand together as longtime friends and for-hire peacekeepers Cole and Hitch in this character-driven, bullet-hard Western based on Robert B. Parkers novel. Blood will spill in the town called Ap! paloosa.The Western has been an endangered species, on and off, for something like 40 years now. Welcome to Appaloosa, Ed Harris's film of the Robert B. Parker novel--first because it exists at all, but even more because Harris as star, director, and co-screenwriter (with Robert Knott) has managed to bring it to the screen with no hint of fuss or strain, as if the making of no-nonsense, copiously pleasurable Westerns were still something Hollywood did with regularity. Harris plays Virgil Cole, one of those ace gunfighter-lawmen whose name need only be mentioned to make a saloon go still. Cole and his shotgun-toting partner Everett Hitch (Viggo Mortensen) accept a commission to enforce law and order in the New Mexico town of Appaloosa. That basically means protect it from rapacious rancher Randall Bragg (Jeremy Irons, looking right at home on the range), who murdered the previous town marshal like swatting a fly. Life becomes complicated when, about the time Bragg h! as been jailed to await trial, a fancy-dressing piano player c! alling h erself Mrs. French (Renée Zellweger) steps down off the train. Cole commences to have feelings, and as he ruefully reminds Hitch, "Feelin's can get ya killed."

In his second directorial effort (following the 2000 biopic Pollock), Harris takes his cue from novelist Parker's often deadpan-comic touch, allowing action and character to accumulate in accordance with an overall eccentric rhythm. (The film's main disappointment is that it would benefit from more running time to allow things to stew a bit longer, especially in the second half.) The character work is choice, from the moment Tom Bower, James Gammon, and Timothy Spall step into view as Appaloosa's civic leaders; the director's father Bob Harris contributes a cameo as a mellifluous-tongued circuit judge, and an age-thickened Lance Henriksen turns up midfilm as gunman Ring Shelton, trailing affability and menace. In collaboration with Dances With Wolves cameraman Dean Semler, Harris sets up shots an! d scenes in such a way that we often see into and out of Appaloosa's various buildings simultaneously, to excellent dramatic and atmospheric effect, and there's a thrillingly vertical dynamics to a scene involving a train at an isolated water stop. The action is lethal when it needs to be, but never dwelt upon. "That was over quick," Hitch observes after one gun battle. Cole's response says it all: "Everybody could shoot." --Richard T. Jameson


Before the Devil Knows You're Dead Poster Movie German D 11x17 Philip Seymour Hoffman Ethan Hawke

  • Approx. Size: 11 x 17 Inches - 28cm x 44cm
  • Size is provided by the manufacturer and may not be exact
  • The Amazon image in this listing is a digital scan of the poster that you will receive
  • Before the Devil Knows You're Dead 11 x 17 Inches German Style D Mini Poster
  • Packaged with care and shipped in sturdy reinforced packing material
Master filmmaker Sidney Lumet directs this absorbing suspense thriller about a family facing the worst enemy of all itself. Oscar®-winner Philip Seymour Hoffman plays Andy, an overextended broker who lures his younger brother, Hank (Ethan Hawke) into a larcenous scheme: the pair will rob a suburban mom-and-pop jewelry store that appears to be the quintessential easy target. The problem is, the store owners are Andy and Hank s actual mom and pop and, when the seemingly perfect crime goes awry, the damage lands right at their doorstep! . Oscar-winner Marisa Tomei plays Andy s trophy wife, who is having a clandestine affair with Hank. The stellar cast also includes Albert Finney as the family patriarch who pursues justice at all costs, completely unaware that the culprits he is hunting are his own sons. A classy, classic heist-gone-wrong drama in the tradition of The Killing and Lumet s own The Anderson Tapes, BEFORE THE DEVIL KNOW YOU RE DEAD is smart enough to know that we often have the most to fear from those who are near and dear.Sidney Lumet’s Before the Devil Knows You’re Dead is an exceptionally dark story about a crime gone wrong and the complicated reasons behind it. Philip Seymour Hoffman and Ethan Hawke are outstanding as brothers whose mutual love-hate relationship subtly colors their agreement to rob their own parents’ jewelry store, and more explicitly affects the anxious aftermath of their villainy when their mother (Rosemary Harris) ends up shot. Hoffman’s steely, emotionall! y locked-up Andy, despite pulling down six figures as a corpor! ate exec utive, is supporting an expensive drug habit while trying to leave the country with his depressed wife, Gina (Marisa Tomei). Hank (Hawke), a whipped dog of low intelligence, owes back alimony and child support to his ex-spouse. Both men need money and agree to rip off their parents' business, a decision that goes awry and puts both men in various kinds of jeopardy while their mother remains comatose and their father (Albert Finney) lurches along trying to make sense of anything. Writer Kelly Masterson's screenplay employs a perhaps now-overly-familiar time-shifting tactic, jumping around the chronology of the story's events and replaying scenes from different vantage points. The effect is a little tedious but successfully deconstructs the film's drama in a way that shows how such terrible events are directly linked to family dysfunction, old wounds between parent and child, between siblings, that fester into full-blown tragedy. Eighty-three-year-old director Lumet (Serpic! o) employs bleached colors and scenes of blunt sexuality and violence, adding to the moral rudderlessness and banality of this airless world. If Devil feels a little reductive and insistently grim, it is also a generally persuasive work by an old master. --Tom Keogh

In the full-throttle, noir-soaked tradition of Dennis Lehane and Michael Connelly, the acclaimed young author of Bad Connection unleashes an ambitious and edgy new thriller pulsating with raw, urban energy.

Decorated NYPD Officer John Coglin always thought his picture on the front page of the newspaper would be one for the scrapbook.

That was before he had the bad luck to be forced into a witness-free, kill-or-be-killed confrontation with a drug-dealing thug. It's of no help to him that the incident took place during the run-up to a bitter mayoral election campaign, and that his adversary was sixteen years old and black.

Now, instead of another commendation, Coglin is star! ing down the barrel of a media- and politics-stoked murder rap! .

Bu t on the eve of his sure conviction arrives a fateful telephone call.

It's not the governor, but his long-lost uncle, Aidan O'Connell.

A veteran of the IRA and a recently released guest of San Quentin Penitentiary for armed-to-the-teeth robbery, Aidan offers his nephew a pardon that has nothing to do with lawyers.

Coglin is about to find out that the type of amnesty Uncle Aidan is proposing is the kind that involves a beautiful but dangerous Mafia widow, a car trunk full of M-16s, and thirty million dollars in jewels smack dab in the middle of Rockefeller Center.

Before the Devil Knows You're Dead is a highly entertaining, deliciously gritty, super-fast thriller that takes us on a cutthroat ride into an urban realm where criminal intent collides head-on with the vagaries of fate and the inscrutabilities of the human heart.Master filmmaker Sidney Lumet directs this absorbing suspense thriller about a family facing the worst enemy of all itself. Oscar®-! winner Philip Seymour Hoffman plays Andy, an overextended broker who lures his younger brother, Hank (Ethan Hawke) into a larcenous scheme: the pair will rob a suburban mom-and-pop jewelry store that appears to be the quintessential easy target. The problem is, the store owners are Andy and Hank s actual mom and pop and, when the seemingly perfect crime goes awry, the damage lands right at their doorstep. Oscar-winner Marisa Tomei plays Andy s trophy wife, who is having a clandestine affair with Hank. The stellar cast also includes Albert Finney as the family patriarch who pursues justice at all costs, completely unaware that the culprits he is hunting are his own sons. A classy, classic heist-gone-wrong drama in the tradition of The Killing and Lumet s own The Anderson Tapes, BEFORE THE DEVIL KNOW YOU RE DEAD is smart enough to know that we often have the most to fear from those who are near and dear.Sidney Lumet’s Before the Devil Knows You’re Dead is an except! ionally dark story about a crime gone wrong and the complicate! d reason s behind it. Philip Seymour Hoffman and Ethan Hawke are outstanding as brothers whose mutual love-hate relationship subtly colors their agreement to rob their own parents’ jewelry store, and more explicitly affects the anxious aftermath of their villainy when their mother (Rosemary Harris) ends up shot. Hoffman’s steely, emotionally locked-up Andy, despite pulling down six figures as a corporate executive, is supporting an expensive drug habit while trying to leave the country with his depressed wife, Gina (Marisa Tomei). Hank (Hawke), a whipped dog of low intelligence, owes back alimony and child support to his ex-spouse. Both men need money and agree to rip off their parents' business, a decision that goes awry and puts both men in various kinds of jeopardy while their mother remains comatose and their father (Albert Finney) lurches along trying to make sense of anything. Writer Kelly Masterson's screenplay employs a perhaps now-overly-familiar time-shifting tactic, ju! mping around the chronology of the story's events and replaying scenes from different vantage points. The effect is a little tedious but successfully deconstructs the film's drama in a way that shows how such terrible events are directly linked to family dysfunction, old wounds between parent and child, between siblings, that fester into full-blown tragedy. Eighty-three-year-old director Lumet (Serpico) employs bleached colors and scenes of blunt sexuality and violence, adding to the moral rudderlessness and banality of this airless world. If Devil feels a little reductive and insistently grim, it is also a generally persuasive work by an old master. --Tom Keogh2009 release, the most powerful and ambitious album in Primal Fear's history. All the trademarks of the Primal Fear sound are featured and the total dedication to pure Heavy Metal is easily found in songs like 'Six Times Dead (16.6)', 'Soar', 'Smith & Wesson' as well as the epic stories, consumma! te musicianship and fantastic melodies in songs like 'Black Ra! in', 'No Smoke Without Fire', 'Torn' and the stylistically new ballad 'Hands Of Time' with the four guys all sharing the lead vocals. Frontiers.In the full-throttle, noir-soaked tradition of Dennis Lehane and Michael Connelly, the acclaimed young author of Bad Connection unleashes an ambitious and edgy new thriller pulsating with raw, urban energy.

Decorated NYPD Officer John Coglin always thought his picture on the front page of the newspaper would be one for the scrapbook.

That was before he had the bad luck to be forced into a witness-free, kill-or-be-killed confrontation with a drug-dealing thug. It's of no help to him that the incident took place during the run-up to a bitter mayoral election campaign, and that his adversary was sixteen years old and black.

Now, instead of another commendation, Coglin is staring down the barrel of a media- and politics-stoked murder rap.

But on the eve of his sure conviction arrives a fateful telephone call.

It's not ! the governor, but his long-lost uncle, Aidan O'Connell.

A veteran of the IRA and a recently released guest of San Quentin Penitentiary for armed-to-the-teeth robbery, Aidan offers his nephew a pardon that has nothing to do with lawyers.

Coglin is about to find out that the type of amnesty Uncle Aidan is proposing is the kind that involves a beautiful but dangerous Mafia widow, a car trunk full of M-16s, and thirty million dollars in jewels smack dab in the middle of Rockefeller Center.

Before the Devil Knows You're Dead is a highly entertaining, deliciously gritty, super-fast thriller that takes us on a cutthroat ride into an urban realm where criminal intent collides head-on with the vagaries of fate and the inscrutabilities of the human heart.In the full-throttle, noir-soaked tradition of Dennis Lehane and Michael Connelly, the acclaimed young author of Bad Connection unleashes an ambitious and edgy new thriller pulsating with raw, urban energy. !

Decorated NYPD Officer John Coglin always thought his pict! ure on t he front page of the newspaper would be one for the scrapbook.

That was before he had the bad luck to be forced into a witness-free, kill-or-be-killed confrontation with a drug-dealing thug. It's of no help to him that the incident took place during the run-up to a bitter mayoral election campaign, and that his adversary was sixteen years old and black.

Now, instead of another commendation, Coglin is staring down the barrel of a media- and politics-stoked murder rap.

But on the eve of his sure conviction arrives a fateful telephone call.

It's not the governor, but his long-lost uncle, Aidan O'Connell.

A veteran of the IRA and a recently released guest of San Quentin Penitentiary for armed-to-the-teeth robbery, Aidan offers his nephew a pardon that has nothing to do with lawyers.

Coglin is about to find out that the type of amnesty Uncle Aidan is proposing is the kind that involves a beautiful but dangerous Mafia widow, a car trunk full of M-16s, and t! hirty million dollars in jewels smack dab in the middle of Rockefeller Center.

Before the Devil Knows You're Dead is a highly entertaining, deliciously gritty, super-fast thriller that takes us on a cutthroat ride into an urban realm where criminal intent collides head-on with the vagaries of fate and the inscrutabilities of the human heart.Before the Devil Knows You're Dead reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm German Style D mini poster print

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(24x36) Friday the 13th Part VII: The New Blood Movie Mask Knife Poster Print

Celestial Globe - Globe by day - Constellations by night

Friday, December 2, 2011

Hunter - After The Fall (Book One)

  • Twenty-First Century Civilization Will Soon Collapse
  • Just One In Ten Thousand Will Survive The Apocalypse
  • You Have Been Chosen To Escape The Great Purging
  • Welcome To The Future...

Publishers Weekly Top 10 Best of the Year

In her new collection, Story Prize finalist Maureen F. McHugh delves into the dark heart of contemporary life and life five minutes from now and how easy it is to mix up one with the other. Her stories are post-bird flu, in the middle of medical trials, wondering if our computers are smarter than us, wondering when our jobs are going to be outsourced overseas, wondering if we are who we say we are, and not sure what we'd do to survive the coming zombie plague.

Praise for Maureen F. McHugh:

"Gorgeously crafted stories."â€"Nancy Pearl, NPR

"Hauntingly beautiful."â€"Booklist

"Unpredictable and poetic ! work."â€"The Plain Dealer

Maureen F. McHugh has lived in New York; Shijiazhuang, China; Ohio; Austin, Texas; and now lives in Los Angeles, California. She is the author of a Story Prize finalist collection, Mothers & Other Monsters, and four novels, including Tiptree Award-winner China Mountain Zhang and New York Times editor's choice Nekropolis. McHugh has also worked on alternate reality games for Halo 2, The Watchmen, and Nine Inch Nails, among others.


This science fiction collection contains three stories: After Things Went Bad, Mr. Tinker, and At Home on Wintebury Circle.

From SIFT BOOK REVIEWS: "Even more than the distinctive voices, impeccable writing, and well-wrought characters, the dark captivating atmosphere will wrap around you and linger long after you have finished reading. These two are clearly talented writers with wicked imaginations. I believe each story has something important! to say about humanity and packs a punch the reader will feel ! for a wh ile." -- Sarah NicolasThis science fiction collection contains three stories: After Things Went Bad, Mr. Tinker, and At Home on Wintebury Circle.

From SIFT BOOK REVIEWS: "Even more than the distinctive voices, impeccable writing, and well-wrought characters, the dark captivating atmosphere will wrap around you and linger long after you have finished reading. These two are clearly talented writers with wicked imaginations. I believe each story has something important to say about humanity and packs a punch the reader will feel for a while." -- Sarah NicolasThe apocalypse was yesterday. These stories are today.

In her new collection, Story Prize finalist Maureen F. McHugh delves into the dark heart of contemporary life and life five minutes from now and how easy it is to mix up one with the other. Her stories are post-bird flu, in the middle of medical trials, wondering if our computers are smarter than us, wondering when our jobs are going to be outsourced ove! rseas, wondering if we are who we say we are, and not sure what we'd do to survive the coming zombie plague.

Table of Contents

The Naturalist

Special Economics

Useless Things

The Lost Boy: A Reporter at Large

The Kingdom of the Blind

Going to France

Honeymoon

The Effect of Centrifugal Forces

After the Apocalypse

Praise for Maureen F. McHugh:

"Gorgeously crafted stories."â€"Nancy Pearl, NPR

"Hauntingly beautiful."â€"Booklist

"Unpredictable and poetic work."â€"The Plain Dealer

“Poignant and sometimes heartwrenching.”â€"Publishers Weekly

Maureen F. McHugh has lived in New York; Shijiazhuang, China; Ohio; Austin, Texas; and now lives in Los Angeles, California. She is the author of a Story Prize finalist collection, Mothers & Other Monsters, and four novels, including Tiptree Award-winner China! Mountain Zhang and New York Times editor's choice ! Nekro polis. McHugh has also worked on alternate reality games for Halo 2, The Watchmen, and Nine Inch Nails, among others.The apocalypse was yesterday. These stories are today.

In her new collection, Story Prize finalist Maureen F. McHugh delves into the dark heart of contemporary life and life five minutes from now and how easy it is to mix up one with the other. Her stories are post-bird flu, in the middle of medical trials, wondering if our computers are smarter than us, wondering when our jobs are going to be outsourced overseas, wondering if we are who we say we are, and not sure what we'd do to survive the coming zombie plague.

Table of Contents

The Naturalist

Special Economics

Useless Things

The Lost Boy: A Reporter at Large

The Kingdom of the Blind

Going to France

Honeymoon

The Effect of Centrifugal Forces

After the Apocalypse

Praise for Maureen F. McHugh:

"Gorgeously crafted! stories."â€"Nancy Pearl, NPR

"Hauntingly beautiful."â€"Booklist

"Unpredictable and poetic work."â€"The Plain Dealer

“Poignant and sometimes heartwrenching.”â€"Publishers Weekly

Maureen F. McHugh has lived in New York; Shijiazhuang, China; Ohio; Austin, Texas; and now lives in Los Angeles, California. She is the author of a Story Prize finalist collection, Mothers & Other Monsters, and four novels, including Tiptree Award-winner China Mountain Zhang and New York Times editor's choice Nekropolis. McHugh has also worked on alternate reality games for Halo 2, The Watchmen, and Nine Inch Nails, among others.Harriette Madyson is the last woman alive. Twenty years ago her world came to an end when a zombie plague engulfed the population of Earth. At the tender age of seven she found herself in a nightmarish situation where the dead literally returned to life. Left with little to use and nowhere to hide H! arri now finds herself stalked across the frozen desolate land! scape of North America pursued by the former love of her life. All that she has to keep her going is the hope that she can make it home to die in peace.From California to the east coast, it rained across most of the continental United States. From Los Angeles to New York City, residents reported an odd, whitish-grey residue that coated everything.

Cats groomed the residue from their bodies, because that’s what cats do, and then they turned to their feed bowls with increasing hunger.

The most deadly biological weapon ever created had been unleashed. It was one that would effectively pit most forms of animal life against mankind.

Humanity was immune to the growth hormone. However, exposed to massive doses, mankind was not immune to the chemical component of the compound that triggered the hyper aggression, nor was humanity immune to the appetite enhancer.

By mid-February, violent mobs of enraged hungry people were rioting in the streets o! f every major city in the world. In American cities, some of these riots were sparked by angry pet owners who were outraged that the government was supposedly plotting to exterminate all dogs and cats as a preemptive measure to protect the population. Pet owners viewed the mandatory registration of all dogs and cats with government officials by the end of February as a prelude to that extermination effort. Other people, generally those who didn’t own pets, were supportive of the measures. This led to protests and counter protests, which quickly turned violent as the hyper aggressive groups clashed.

In the months that followed, one by one, the governments of the world collapsed under the strain of trying to maintain order. Food production ground to a halt in most of the world as the men and women who’d been feeding the human race succumbed to the effects of massive exposure to the formula.

As the governments collapsed, so did the infrastructures sup! porting the civilization of mankind. Mass transit, power gener! ation, a nd water purification were among the first to fail, but they were quickly followed by oil and gasoline production.

In six months, humanity plunged from the top of the food chain to a position near the center and the world would never be the same.

This is a 112,500 word book that has numerous accompanying photographs to depict the scenes.From California to the east coast, it rained across most of the continental United States. From Los Angeles to New York City, residents reported an odd, whitish-grey residue that coated everything.

Cats groomed the residue from their bodies, because that’s what cats do, and then they turned to their feed bowls with increasing hunger.

The most deadly biological weapon ever created had been unleashed. It was one that would effectively pit most forms of animal life against mankind.

Humanity was immune to the growth hormone. However, exposed to massive doses, mankind was not immune to the chemical comp! onent of the compound that triggered the hyper aggression, nor was humanity immune to the appetite enhancer.

By mid-February, violent mobs of enraged hungry people were rioting in the streets of every major city in the world. In American cities, some of these riots were sparked by angry pet owners who were outraged that the government was supposedly plotting to exterminate all dogs and cats as a preemptive measure to protect the population. Pet owners viewed the mandatory registration of all dogs and cats with government officials by the end of February as a prelude to that extermination effort. Other people, generally those who didn’t own pets, were supportive of the measures. This led to protests and counter protests, which quickly turned violent as the hyper aggressive groups clashed.

In the months that followed, one by one, the governments of the world collapsed under the strain of trying to maintain order. Food production ground to a halt in most of th! e world as the men and women who’d been feeding the human ra! ce succu mbed to the effects of massive exposure to the formula.

As the governments collapsed, so did the infrastructures supporting the civilization of mankind. Mass transit, power generation, and water purification were among the first to fail, but they were quickly followed by oil and gasoline production.

In six months, humanity plunged from the top of the food chain to a position near the center and the world would never be the same.

This is a 112,500 word book that has numerous accompanying photographs to depict the scenes."3 Years After" is a story about a Special Forces team put together to help our nation in a most fragile time. The post 9/11 world has forced the United States government to develop new ways to fight and counter terrorism. During the initial testing of the latest technological breakthrough, Time Travel, a catastrophic failure occurs. This strands the test team three years into the future. They are greeted by a new world which has been deci! mated by war and infested by zombies.

Will the team and humanity survive?

Do they figure out what happened in time?

This is the new version that has been edited."3 Years After" is a story about a Special Forces team put together to help our nation in a most fragile time. The post 9/11 world has forced the United States government to develop new ways to fight and counter terrorism. During the initial testing of the latest technological breakthrough, Time Travel, a catastrophic failure occurs. This strands the test team three years into the future. They are greeted by a new world which has been decimated by war and infested by zombies.

Will the team and humanity survive?

Do they figure out what happened in time?

This is the new version that has been edited."3 Years After" is a story about a Special Forces team put together to help our nation in a most fragile time. The post 9/11 world has forced the United States governmen! t to develop new ways to fight and counter terrorism. During t! he initi al testing of the latest technological breakthrough, Time Travel, a catastrophic failure occurs. This strands the test team three years into the future. They are greeted by a new world which has been decimated by war and infested by zombies. Will the team and humanity survive? Do they figure out what happened in time? This is the new version that has been edited.In volume one of his epic post-apocalyptic adventure saga, master storyteller John Phillip Backus brings this not-so-distant vision of the future to life with intriguing characters, gifted narrative, believable settings and mythic heroes and villains. Driven by a riveting storyline brilliantly illustrated by Asheville, NC artist, Chad Schoenauer, the author weaves his linguistic magic until the reader is utterly immersed in this brave new world and dare not fail to turn the next page for fear of missing out. On his own in the Wyoming wilderness, fourteen years after the End War and its aftermath nearly wiped out the human race, self-exiled survivor, Hunter Macintosh, is suddenly faced with more than he bargained for-three sisters and a child crossing the uncharted wilds alone. Suspicious at first, Hunter soon discovers they've traveled more than three hundred miles to find him, at the request of their father, Adam Planchet-Hunter's former commander and comrade-in-arms-whose besieged Colorado community is at risk of being overrun by lawless hordes! Honor-bound by a pledge made many years earlier, Hunter agrees to return with Elise Planchet to help turn the tide before all is lost. Set against the majestic backdrop of the North American Rockies, Hunter - After The Fall is an engrossing tale of adventure, betrayal and hope, where the true character of an individual is thoroughly tested and the outcome uncertain at best. Join Hunter and Elise as they battle bands of outlaws, enraged grizzlies, numbing blizzards, armed militias and their own stubborn hearts in an epic tale of good-versus-evil in a potential future all too easy to conceive!

Oggi Pro Stainless-Steel 10-Piece Cocktail Shaker and Bar Tool Set

  • 10-piece stainless-steel bar set, great for home bars and parties
  • Includes a double jigger and a 2-piece glass and stainless shaker set for mixing drinks
  • Also comes with lemon/lime slicing knife, bottle opener, cocktail strainer, stirrer, and tongs
  • All tools made of durable stainless steel with contemporary black accents
  • Includes cutting board and black stand for storage
The Professional Bartender s Handbook is written for the professional bartender, but anyone can learn the simple tips and tricks this book provides. A copy belongs behind every bar, big or small. Whether running a stand-alone business or one incorporated into a restaurant, hotel, or food service operation, the successful bartender needs product and equipment knowledge and a strong grasp of mixology. The Professional Bartender s Handbook is more than a recipe guide. If you have ever wondered wha! t ingredients were in your favorite drink, this book will teach you. With nearly 1,500 different cocktails, shooters, and even a non-alcoholic section, there is a drink (or two) for everyone. This new book is fun and easy to read. The recipes are in alphabetical order, along with suggested glassware, ingredients, and garnishes. You will learn tips and tricks, bar terminology, measurements, how to set up a bar, glassware, responsible serving issues, garnishes, bar games and tricks, famous toasts, and much more. You will learn the most popular brands of alcohol, as well as what wines complement your dinner selection.With innovative designs and contemporary finishes, Oggi’s kitchen, bar and bath wares are truly tomorrow’s house wares today. Oggi’s 10-Piece Stainless Steel Bar Set with Rectangular Stand is no exception. Black stand and cutting board. Stainless steel tools with black accents. Set includes a two-piece glass and stainless shaker set, double jigger, lemon / l! ime slicing knife, bottle cap lifter, cocktail strainer, stirr! er, tong s, chopping board and a rectangular stand. Set is great for home bars and parties.

Bullet

  • BulletMickey Rourke and rap music star Tupac Shakur, in one of his final film roles, star in this gritty urban thriller about what it takes to survive on the street. Also starring Ted Levine, it's a stylish mix of brutality and revenge, it journeys into the dark and underground world of two men who share a bitter hatred and grudging respect. Like Pulp Fiction it is one of the new breed of action f
A classic example of a good idea ruined by Hollywood formulas. Jim Belushi and Tupac Shakur (in his last performance) are two corrupt cops with an effective scheme: they rob and kill drug dealers. Unfortunately, one of their victims turns out to be an undercover agent for the DEA, and the two bad cops have to scramble to find a suspect to pin the murder on. Soon they're caught in a web of missing evidence, false witnesses, and frayed nerves--Gang Related could have been a lean film noir, slow! ly tightening until the men break under the pressure. Unfortunately, this isn't the 1940s, and suddenly the plot takes an absurd twist into the most melodramatic coincidence imaginable. It's too bad. Also featuring the lovely Lela Rochon, James Earl Jones, David Paymer, and a surprise performance by Dennis Quaid. --Bret Fetzer Two killers are hiding where no one will ever find them...behind their badges! Tupac Shakur (in hisfinal and most riveting performance) and James Belushi are two corrupt police detectives caught in a dangerous web of deceit in this "gritty, smart and tough" (CBS-TV) action thriller that will hold you in its grip from start to finish. Detectives Divinci (Belushi) and Rodriguez (Shakur) practice their own deadly brand of street justice: They set up drug deals, seize the money for themselves and then murder the dealers. It's a lucrative racket that has worked without a hitch for months. But when they discover that their latest victim was an under! cover officer with the Drug Enforcement Agency, the two corrup! t cops a re forced to initiate a dangerous scheme to save their own lives. And as their "foolproof" plan begins to spin madly out of control, Divinci and Rodriguez are trapped in a tornado of suspicion, betrayal and murder in which they can trust no one...not even each other.A classic example of a good idea ruined by Hollywood formulas. Jim Belushi and Tupac Shakur (in his last performance) are two corrupt cops with an effective scheme: they rob and kill drug dealers. Unfortunately, one of their victims turns out to be an undercover agent for the DEA, and the two bad cops have to scramble to find a suspect to pin the murder on. Soon they're caught in a web of missing evidence, false witnesses, and frayed nerves--Gang Related could have been a lean film noir, slowly tightening until the men break under the pressure. Unfortunately, this isn't the 1940s, and suddenly the plot takes an absurd twist into the most melodramatic coincidence imaginable. It's too bad. Also featuring the! lovely Lela Rochon, James Earl Jones, David Paymer, and a surprise performance by Dennis Quaid. --Bret Fetzer When their friend Cookie o.d.'s, best buddies and musicians Spoon (Tupac Shakur) and Stretch (Tim Roth) decide it's time to kick their drug habit by putting themselves into detox. But they soon discover that the road to rehab is paved with reams of social service red tape. Spoon and Stretch are just trying to stay alive until they can get treatment. But, between the angry drug dealers, the cops who have mistaken them for murderers, and the people with forms and clipboards, this turns into a task of epic proportions. Thus enfolds their comic adventure to sobriety- a hilarious, action-packed journey from A to Z and back again. Starring: Tim Roth, Tupac Shakur, Thandie Newton Directed by: Vondie Curtis-HallBritish actor Tim Roth and the rapper Tupac Shakur are an unexpectedly charismatic and refreshing duo in this off-beat buddy movie. Closer than two brot! hers, these junkie musicians vow to kick their habits after a ! soul-sha ttering New Year's Eve. Gridlock'd is fueled by characterization, of which there is plenty, as the two play off one another with such finesse you would never know Shakur had been a relative novice to the acting profession. Off-beat humor lightens a bleak reality as these outcasts run smack against a brutal bureaucracy. Except for a tired subplot meant to jazz up the action, director Vondie Curtis-Hall employs an inventive approach in this sadly ignored theatrical release. --Rochelle O'Gorman Bullet Mickey Rourke and rap music star Tupac Shakur, in one of his final film roles, star in this gritty urban thriller about what it takes to survive on the street. Also starring Ted Levine, it's a stylish mix of brutality and revenge, it journeys into the dark and underground world of two men who share a bitter hatred and grudging respect. Like Pulp Fiction it is one of the new breed of action films-powerful, violent and real. Mickey Rourke is Butch "Bullet" Stein and th! e late Tupac Shakur is Tank in this stylish, Julien Temple-directed crime drama. Narrative is secondary to atmosphere in the violent, yet sensitive tale of an ex-con (Rourke) attempting to adjust to life on the outside. The minute Bullet emerges from the pen, however, the blood and profanity begin to flow just as freely as the references to Dali and Picasso (his younger brother is an artist). His drug problem is bad enough, but the biggest threat comes from the Kangol-sporting, eye-patched Tank, who intends to get his revenge for the eye Bullet took from him. Classical music and opera, meanwhile, bump up against hip-hop and Barry White. Despite the billing, this is Rourke's show all the way and Tupac's part is quite small in comparison. Ted Levine (The Silence of the Lambs) and Adrien Brody (The Pianist) star as Bullet's eccentric brothers. --Kathleen C. Fennessy

A Beautiful Mind (The Awards Edition) [VHS]

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 “HOW COULD YOU, A MATHEMATICIAN, BELIEVE THAT EXTRATERRESTRIALS WERE SENDING YOU MESSAGES?” the visitor from Harvard asked the West Virginian with the movie-star looks and Olympian manner. “Because the ideas I had about supernatural beings came to me the same way my mathematical ideas did,” came the answer. “So I took them seriously.”

Thus begins the true story of John Nash, the mathematical genius who was a legend by age thirty when he slipped into madness, and whoâ€"thanks to the selflessness of a beautiful woman and the loyalty of the mathematics communityâ€"emerged after decades of ghostlike existence to win a Nobel Prize for triggering the game theory revolution. The inspiration for an Academy Awardâ€"winning movie, Sylvia Nasar’s now-classic biography is a drama about the mystery of the human mind, triumph over adversity, and the healing power o! f love.Stories of famously eccentric Princetonians abound--such as that of chemist Hubert Alyea, the model for The Absent-Minded Professor, or Ralph Nader, said to have had his own key to the library as an undergraduate. Or the "Phantom of Fine Hall," a figure many students had seen shuffling around the corridors of the math and physics building wearing purple sneakers and writing numerology treatises on the blackboards. The Phantom was John Nash, one of the most brilliant mathematicians of his generation, who had spiraled into schizophrenia in the 1950s. His most important work had been in game theory, which by the 1980s was underpinning a large part of economics. When the Nobel Prize committee began debating a prize for game theory, Nash's name inevitably came up--only to be dismissed, since the prize clearly could not go to a madman. But in 1994 Nash, in remission from schizophrenia, shared the Nobel Prize in economics for work done some 45 years pre! viously.

Economist and journalist Sylvia Nasar has written ! a biogra phy of Nash that looks at all sides of his life. She gives an intelligent, understandable exposition of his mathematical ideas and a picture of schizophrenia that is evocative but decidedly unromantic. Her story of the machinations behind Nash's Nobel is fascinating and one of very few such accounts available in print (the CIA could learn a thing or two from the Nobel committees). This highly recommended book is indeed "a story about the mystery of the human mind, in three acts: genius, madness, reawakening." --Mary Ellen Curtin “HOW COULD YOU, A MATHEMATICIAN, BELIEVE THAT EXTRATERRESTRIALS WERE SENDING YOU MESSAGES?” the visitor from Harvard asked the West Virginian with the movie-star looks and Olympian manner. “Because the ideas I had about supernatural beings came to me the same way my mathematical ideas did,” came the answer. “So I took them seriously.”

Thus begins the true story of John Nash, the mathematical genius who was a legend by a! ge thirty when he slipped into madness, and whoâ€"thanks to the selflessness of a beautiful woman and the loyalty of the mathematics communityâ€"emerged after decades of ghostlike existence to win a Nobel Prize for triggering the game theory revolution. The inspiration for an Academy Awardâ€"winning movie, Sylvia Nasar’s now-classic biography is a drama about the mystery of the human mind, triumph over adversity, and the healing power of love.Stories of famously eccentric Princetonians abound--such as that of chemist Hubert Alyea, the model for The Absent-Minded Professor, or Ralph Nader, said to have had his own key to the library as an undergraduate. Or the "Phantom of Fine Hall," a figure many students had seen shuffling around the corridors of the math and physics building wearing purple sneakers and writing numerology treatises on the blackboards. The Phantom was John Nash, one of the most brilliant mathematicians of his generation, who had spiraled in! to schizophrenia in the 1950s. His most important work had be! en in ga me theory, which by the 1980s was underpinning a large part of economics. When the Nobel Prize committee began debating a prize for game theory, Nash's name inevitably came up--only to be dismissed, since the prize clearly could not go to a madman. But in 1994 Nash, in remission from schizophrenia, shared the Nobel Prize in economics for work done some 45 years previously.

Economist and journalist Sylvia Nasar has written a biography of Nash that looks at all sides of his life. She gives an intelligent, understandable exposition of his mathematical ideas and a picture of schizophrenia that is evocative but decidedly unromantic. Her story of the machinations behind Nash's Nobel is fascinating and one of very few such accounts available in print (the CIA could learn a thing or two from the Nobel committees). This highly recommended book is indeed "a story about the mystery of the human mind, in three acts: genius, madness, reawakening." --Mary Ellen Curtin “HOW COULD YOU, A MATHEMATICIAN, BELIEVE THAT EXTRATERRESTRIALS WERE SENDING YOU MESSAGES?” the visitor from Harvard asked the West Virginian with the movie-star looks and Olympian manner. “Because the ideas I had about supernatural beings came to me the same way my mathematical ideas did,” came the answer. “So I took them seriously.”

Thus begins the true story of John Nash, the mathematical genius who was a legend by age thirty when he slipped into madness, and whoâ€"thanks to the selflessness of a beautiful woman and the loyalty of the mathematics communityâ€"emerged after decades of ghostlike existence to win a Nobel Prize for triggering the game theory revolution. The inspiration for an Academy Awardâ€"winning movie, Sylvia Nasar’s now-classic biography is a drama about the mystery of the human mind, triumph over adversity, and the healing power of love.This Ron Howard film parlays the troubled story of Nobel laureate John Forbes Nash Jr., a gifted ! Princeton mathematics professor tormented for decades by paran! oid schi zophrenia, into something considerably richer than typical Hollywood triumph-against-all-odds fare. Howard has teamed here again with frequent collaborator James Horner, and it's the composer who deftly shades the film's difficult emotional landscape and helps impart a compelling humanity. Horner's first task is not inconsiderable: musically portraying the arcane realm of mathematical theorems that are the story's backdrop. In doing so, the composer leans heavily on modern minimalist technique, bright flourishes that recur briefly throughout an orchestral score that increasingly reflects Nash's bleak inner landscape in its quietly somber and brooding tones. And while Horner has frequently been accused of excessively repeating himself in his scores, the neo-minimalist gambit employed on this reflectively pastoral, postmodernist soundscape neatly nips such criticism in the bud. Nash's triumph is ultimately an intensely personal one, well reflected in Welsh soprano Charlotte Ch! urch's lilting performance of the Horner/Will Jennings ballad "All Love Can Be." This enhanced CD also features notes by the director and composer, as well as exclusive photos and the film's trailer. --Jerry McCulley Winner of 4 Academy Awards, including Best Picture, A Beautiful Mind is directed by Academy Award winner Ron Howard and produced by long-time partner and collaborator, Academy Award winner Brian Grazer. A Beautiful Mind stars Russell Crowe in an astonishing performance as brilliant mathematician John Nash, on the brink of international acclaim when he becomes entangled in a mysterious conspiracy. Now only his devoted wife (Academy Award winner Jennifer Connelly) can help him in this powerful story of courage, passion and triumph.A Beautiful Mind manages to twist enough pathos out of John Nash's incredible life story to redeem an at-times goofy portrayal of schizophrenia. Russell Crowe tackles the role with characteristic fervor, playing the Nob! el prize-winning mathematician from his days at Princeton, whe! re he de veloped a groundbreaking economic theory, to his meteoric rise to the cover of Forbes magazine and an MIT professorship, and on through to his eventual dismissal due to schizophrenic delusions. Of course, it is the delusions that fascinate director Ron Howard and, predictably, go astray. Nash's other world, populated as it is by a maniacal Department of Defense agent (Ed Harris), an imagined college roommate who seems straight out of Dead Poets Society, and an orphaned girl, is so fluid and scriptlike as to make the viewer wonder if schizophrenia is really as slick as depicted. Crowe's physical intensity drags us along as he works admirably to carry the film on his considerable shoulders. No doubt the story of Nash's amazing will to recover his life without the aid of medication is a worthy one, his eventual triumph heartening. Unfortunately, Howard's flashy style is unable to convey much of it. --Fionn Meade

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